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Poetry and Performance. The Eastern-European Perspective / Wroclaw Contemporary Museum
30. March 2020

Last week the exhibition Poetry and Performance. The Eastern-European Perspective was scheduled to open at the Wroclaw Contemporary Museum in Poland.

Due to the current [...]

 
I muzeji su se preselili online
direktno.hr
19. March 2020

article

 
Szerelmek és provenienciák
Janus Pannonius Múzeum
10. February 2020

article

 
VLADO MARTEK Exhibition with Many Titles
exhibition opening: February 6, 2020, City Art Gallery of Ljubljana, Ljubljana, Slovenia
06. February 2020

The second part of the retrospective exhibition of the Croatian conceptual artist Vlad Martek (the first part of the exhibition was shown in Rijeka in June 2019) seeks to show ...

 
essays
Ješa Denegri, Gorgona And After [ENGLISH]
04. July 2018

One of the most peculiar phenomena in the history of Croatian and Yugoslav art has entered the historiy books  under the name of Gorgona (‘Gorgon’), this being the name in Greek mythology for a monster, whose eyes, supposedly, had the power to turn to stone anyone who dared look into her face. 

 
Ješa Denegri, Gorgona [ENGLISH]
04. July 2018

It was the novel ways of comprehending the structure and the meaning of a work of art, based on mental and post-aesthetic attributes, as well as the emergence of a broader social and spiritual atmosphere, that had conditioned the newest developments and opened up the way to a better understanding of a whole range of artistic processes. In Zagreb, the phenomena to which this general comment refers include some examples of Radical Art informel that appeared between 1956 and 1962 and all the activities of the group named Gorgona (‘Gorgon’), which was active between 1959 and 1966.

 
Ješa Denegri, Inside Or Outside ‘Socialist Modernism’? Radical Attitudes On the Yugoslav Art Scene, 1950-1970 [ENGLISH]
04. July 2018

The Concept of a ‘Yugoslav Art Space’

The concept of a ‘Yugoslav art space’ denotes the geographic area and political environment in which the polycentric and decentralised, yet at the same time unified, and shared, art life of the ‘Second Yugoslavia’ (1945-1991) was maintained. It was polycentric and decentralised, because it consisted of several cultural milieux and their capitals, i.e. the republics of the former country which have meanwhile become independent states; unified and shared in common, for it was interlinked by numerous personal and institutional ties between the many active participants in Yugoslavia’s art scene of the time. 

 
Ješa Denegri, Radical Art Informel In Zagreb [ENGLISH]
04. July 2018

In contemporary European art, the concept of Art informel implies a complex which goes beyond one particular school, movement or ‘style’:  actually, that is a 'state of mind', characteristic of the situation in the early post-war years, when the atmosphere was transformed and gradually altered the whole complexion of the 1950s.

 
documentation
Youth Forum, Subotica
1969 - 1976
 
Matko Meštrović - Piero Dorazio
correspondence
1963
 
"Studio G" - exhibitions organized by the Gorgona group
1961 - 1963