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Arte e femminismo. A Milano
Artribune
16. travanj 2019.

članak

 
Poetry & Performance | The Eastern European Perspective
Izložba uključuje posudbu radova iz Kolekcije Marinko Sudac.
11. travanj 2019.

Od druge polovice dvadesetog stoljeća, osobito su pjesnici i umjetnici u Istočnoj Europi preuzeli izazov promišljanja i istraživanja instrumentalizacije jezika u komunikacijske...

 
In Milan, A New Exhibition Celebrates Italian Feminist Artists of the 1970s
Vogue.com
05. travanj 2019.

članak

 
OTVORENJE IZLOŽBE | IL SOGGETTO IMPREVISTO. 1978 Arte e Femminismo in Italia
Izložba uključuje posudbu radova iz Kolekcije Marinko Sudac.
04. travanj 2019.

Izložba The Unexpected Subject. 1978 Art and Feminism in Italy po prvi će puta međunarodnoj publici predstaviti jednu od najzanimljivih scena eksperimentalnog istraživanje u 1970-ima. Naglasak je stavljen na centralnost žena ...

 
tekstovi
Ješa Denegri, Art and the Year 1968 [ENGLISH]
04. srpanj 2018.

In his recent text, The Year 1968 and Visual Arts, the Italian critic, Renato Barilli, said that 1968 marked one of the crucial dates in the history of contemporary art. Barilli claimed that any future consideration of art would have to refer to the situation pre-1968 or post-1968.1

 
Ješa Denegri, ‘The Other Line’: Articulating the Spirit of Place [ENGLISH]
04. srpanj 2018.

The influence of a milieu on the emergence of different movements in 20th century art is a subject of endless debate. Once engaged in a discussion of the pros and cons, it does not take too long before one realises that the forms in modern and contemporary art – and that applies to the earlier periods, as well – have not occurred at random places or random moments; on the contrary, they were created by individuals who lived in concrete historical circumstances, who worked in those circumstances, and who were constructing their identity within a specific geographic, cultural and social area. 

 
Ješa Denegri, Art Around 1968: The Other Line [ENGLISH]
04. srpanj 2018.

Chrono-History

A number of events that took place between 1966 and 1969 marked crucial stages along the path towards the  dematerialisation of the art object - i.e. a the process which implied a transferral of working methods from the formal onto the cerebral plane... 

 
Ješa Denegri, The Properties of the New Art Practice of the Seventies in the Yugoslav Art Space [ENGLISH]
04. srpanj 2018.

The farther we progress into the 1980’s and the artistic period that has been characterised by the processes termed ‘Postmodernism’, ‘trans avant-garde’, ‘Hyper Mannerism’ and so on, the more difficult It has become to decide from which   standpoint we should view the art of the previous decade - the tumultuous 1970's - which represented a period of great change and even greater (though probably only  partially realised) efforts at change, as well as a period of  great aspirations, only some of them fulfilled. 

 
dokumentacija
Tribina mladih, Subotica
1969. - 1976.
 
Matko Meštrović - Piero Dorazio
korespondencija
1963.
 
"Studio G" - izložbe u organizacije grupe Gorgona
1961. - 1963.