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Igor Grubić | UMJETNIK NA ODMORU 2019. by Valamar
01. kolovoz 2019.

gor Grubić rođen je 1969. g. u Zagrebu u Hrvatskoj. Bavi se umjetničkim aktivizmom ...

 
Josef Dabernig | UMJETNIK NA ODMORU 2019. / Valamar
28. srpanj 2019.

Josef Dabernig rođen je 1956. u gradu Kötschach-Mauthen u Austriji. Diplomirao je ...

 
Rena&Vladan; | UMJETNIK NA ODMORU 2019. / Valamar
27. srpanj 2019.

Rena&Vladan; (Rena Rädle i Vladan Jeremić) su beogradski umjetnici ...

 
Selma Selman | UMJETNIK NA ODMORU 2019. / Valamar
20. srpanj 2019.

Selma Selman rođena je 1991. u Bihaću u BiH. Trenutačno završava ...

 
tekstovi
Ješa Denegri, Exat 51 [ENGLISH]
04. srpanj 2018.

A Factual Sketch

The group of painters, architects and designers under the name of EXAT 51 (abbreviation for Eksperimentalni atelier 1951) has for a long time been considered, by general consent, to be a phenomenon of fundamental historic significance to the Croatian art and culture in the period after the Second World War.

 
Ješa Denegri, The Year 1968 and the Related Developments in Art [ENGLISH]
04. srpanj 2018.

One Prediction and the Question of Whether It Came True

The Italian critic, Renato Barilli, once claimed once that, in the future, art historians would draw a dividing line at the year 1968, to mark the separation between the two phases of artistic developments in the second half of the twentieth century - i.e. those from the period pre--1968 and those from the period post-1968.

 
Ješa Denegri, EXAT 51 on the International and Home Scene [ENGLISH]
04. srpanj 2018.

The work of the group EXAT-51 was accomplished in the early 1950’s (its members issued their Man­ifesto in 1951, and four painters exhibited their work in 1953), but this art circle, or its individual members, also acted in keeping with some principles that had characterised the group’s practice and ideology several years before and some years after these important dates. 

 
Ješa Denegri, Video Art in Yugoslavia 1969–1984 [ENGLISH]
04. srpanj 2018.

Yugoslavia was one of many European countries that move or less consciously  accepted the need to  get to rise to the challenge of the new  communications technologies and to get to grips with television, in particular, as a key factor in shaping the contemporary 'civilisation of the image'.

 
dokumentacija
Tribina mladih, Subotica
1969. - 1976.
 
Matko Meštrović - Piero Dorazio
korespondencija
1963.
 
"Studio G" - izložbe u organizacije grupe Gorgona
1961. - 1963.