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OTVORENJE IZLOŽBE | Goran Trbuljak: nikada do sada viđen rad neviđenog umjetnika
Muzej moderne i suvremene umjetnosti, Rijeka, Hrvatska
22. veljača 2019.

Posudba radova iz kolekcije Marinko Sudac

Otvorenje: 22. veljače 2019.

U sklopu programa Rijeka 2020 – Europska prijestolnica kulture, Muzej moderne i suvremene umjetnosti 22. veljače otvara veliku izložbu cijenjenog konceptualnog umjetnika, fotografa, filmaša i dizajnera Gorana Trbuljaka...

 
'nikada do sada viđen rad neviđenog umjetnika'
HRT magazin
21. veljača 2019. - 22. veljača 2019.

najava

 
Otvaranje izložbe Gorana Trbuljaka u riječkom MMSU 22. veljače
Rijeka online
20. veljača 2019.

najava

 
Trbuljak u MMSU-u: nikada do sada viđen rad neviđenog umjetnika
HRT radio
20. veljača 2019.

intervju

 
tekstovi
Ješa Denegri, The Issues Raised By the ‘New Art Practice’ Of the 1970’s [ENGLISH]
04. srpanj 2018.

General Characteristics of the New Attitudes to Art

Although the evolution of art undoubtedly follows a continuous pattern without sudden interruptions marked by fixed dates, a number of symptoms support the claim that a new situation arose some ten years ago, in the late 1960s,  which, it seems, can be justifiably treated as a specific period in the history of post-war art. It goes without saying that the new developments contained many direct or indirect influences and elements discernible in the period preceding it, but it also shows a sufficient number of characteristic constitutive elements that gave it a separate identity.

 
Ješa Denegri, The New Art of the ’Seventies in Yugoslavia: Properties, Events and Evaluation(s) [ENGLISH]
04. srpanj 2018.

Two quotations – actually, two paragraphs taken from the wider context of some lengthier texts – summarise the principal developments in art of the 1970s:

 ‘The ’seventies were not just a decade like any other in the twentieth century, but a crucial period in which Modernism made its last original contribution, before surrendering to the various forms of Postmodernism that came into being, from the middle of the decade onwards.’ (Tomaž Brejc).

 
Ješa Denegri, The New Tendencies: A Quarter Of A Century Later [ENGLISH]
04. srpanj 2018.

Contemplating nowadays [1990] the artistic events which most closely linked the Yugoslav art scene to comparable developments in Europe, both from a conceptual and an organisational point of view, one cannot overlook some major dates in the early 1960’s. These dates (and events) hinge on two international exhibitions, held at the Gallery of Contemporary Art in Zagreb under the titles of New Tendencies (1961) and New Tendencies 2 (1963). 

 
Ješa Denegri, The New Tendencies [ENGLISH]
04. srpanj 2018.

What the New Tendencies were

This somewhat imprecise term  jointly designates a series of international exhibitions staged by the Gallery of Contemporary Art in Zagreb, in the following chronological order and under the following, precise tiles:  New Tendencies , 1961; New Tendencies 2, 1963, New Tendency 3, 1965; Tendency 4, 1968/69; and Tendencies 5, 1973. The alterations in the titles are slight, yet noticeable enough.

 
dokumentacija
Tribina mladih, Subotica
1969. - 1976.
 
Matko Meštrović - Piero Dorazio
korespondencija
1963.
 
"Studio G" - izložbe u organizacije grupe Gorgona
1961. - 1963.