essay about authorbibliographyartist's influences
10. April 1933

Philip Lionel Corner was born in 1933 in New York, United States. He is one of the founders of the Fluxus movement, which arose in the early 1960s. His music often explores unintentional sounds, random events, minimalism, and non-Western instruments. His works outside of music and composing include assemblages, installations, collages, drawings, paintings, and calligraphy, which he became interested in during his military service in Korea in 1960 - 61.

Corner's creative work includes the use of recorded music, piano improvisations (which can consist of almost every part of the piano and a different number of performers), sound meditations, compositions for traditional instruments, computers, or special Asian instruments. It also includes metal instruments (e.g., gongs) in which he finds their sonic interpretations. He also creates conceptual sound works, orchestral pieces, but also minimalist ones, such as "One Note Once." 

Fluxus is an international shared artistic attitude, a network of artists, designers, poets, musicians, and creatives that emerged in the early 1960s. It has its foundations in experimental music and questioning the concept of art. Fluxus started as a rebellion against the commercial art market, elitism, and conventions in the arts. From its beginnings in New York, it has expanded to Europe and Japan. Fluxus does not have a unique way of creating. It includes all mediums, everyday objects, questioning of art, work, and art itself through various forms of works, installations, musical compositions, and performances. One of Fluxus' goals was to remove the boundary between art and the everyday world, to reject the notion of "high art" and to bring it closer to the public. The most prominent names in this movement, along with Philip Corner, are John Cage, Nam June Paik, George Maciunas, Joseph Beuys, Ben Vautier, Ben Patterson, Alison Knowles, Mieko Shiomi, Yoko Ono, etc.

One of the anthological works of the Fluxus movement is Philip Corner's Piano Activities, first performed in Wiesbaden in 1962, which caused a great scandal during the first series of Fluxus concerts in Europe. Through a free interpretation of one of Corner's compositions, George Maciunas, Dick Higgins, Ben Patterson, Alison Knowles, Wolf Vostell, and Emmett Williams physically disassembled the piano for several days, whose remains were then auctioned off to the audience. Philip Corner's series of works, in addition to experimental music and composing, installations, and other concepts, include Compositions of Reality in the form of objects or concepts, Fluxus events-performances, Petali Pianissimo or Metal Meditations installations and other works.


1978. Notationen (with Takako Saito), Galerie Inge Baecker, Bochum
1981. Exhibit of Scores by Dan Goode and Philip Corner, Mason Gross School Of The Arts, Downtown Gallery, New Brunswick(NJ)
1981. Exhibit of Scores by Dan Goode and Philip Corner, Bergenfield Library, Bergenfield(NJ)
1989. Bellway (installation),  Museo del Parco, Portofino
1990. Vecchie Partiture e Nuovi Orgasmi, Galleria Unimedia, Genova
1990. ​Philip Corner, Circolo Culturale ‘Il Gabbiano’, La Spezia
1992. Philip Corner: Pieces of Reality, Emily Harvey Gallery, New York
1993. Più della Musica, Studio Venticinque, Milano
1994. Gli orgasmi degli dei, Galeria Unimedia, Genova
1995. Philip Corner, Entrances & Pathways, Alphacentauri, Palazzo Pallavicino, Parma
1995. Presenze (artista in omaggio), Padiglione Neri ex-Ospedale psichiatrico, Perugia
1996. Omnifonia, Archivio Caterina Gualco, Genova
1998. Constat et parti pris (with Michel Vogel, LL LL & L), Archipel, Paris
2001. Philip Corner: Realities, Idealities  and other things, Galerie Beim Steinernen Kreuz, Bremen
2003. Bilder einer Ausstellung / Pictures of Pictures from Pictures of Pictures, Gelbe Musik, Berlin
2004. Sonate Visive, Pensionato S.Severio, Palermo
2005. Musica da Tavola, Archivio Caterina Gualco, Genova
2005. Musica da Tavola, Ristorante ‘Italo’, Reggio Emilia
2006. Musica da Tavola, l’Ottagono, Bibbiano (RE)
2006. Sonate Visive, EAE Expansionist Art Empire Gallery, Leiden
2006. I Colori del Cielo: Primavera, Estate, Autunno, Inverno, Spazio ‘Godot’, Reggio Emilia
2007. Music of Organic Material, “L’Altro Condor”, Reggio Emilia
2007. Music in Flux, Archivio Emily Harvey, Venice
2009. Bilder Einer Ausstellung, Edition Block, Berlin
2010. Up&Down;, In&Around;: designs for music & not, UnimediaModern, Genova
2012. We are still here!  III° Movimento (with Hendricks & Knowles), UnimediaModern, Genova
2013. Tangerine Dreams, “Angelo”, Reggio Emilia
2014. I Can Walk Through the World As Music, Fondazione Mudima, Milan
2014. More Than Music, Museo Villa Croce, Genova
2016. I Can Walk Through the World as Music, Fondation du Doute, Blois
2016. re: Sound (Metal Meditations) (with Glenn Branca), Bob Rauschenberg Gallery, Fort Myers (FL)
2016. Gothic/Baroque, UnimediaModern, Genova
2017. UnimediaModern Contemporary Art, Artissima/Back To The Future, Torino
2018. Posso passeggiando ascoltare il mondo come musica, Gallery Gian Marco Casini, Livorno
2018. A Great Wall of China, Power Station of Art, Shanghai
2019. John CAGE, Philip CORNER, Alison KNOWLES: Mushrooms, Carrots & Beans Gainesville, 2019. 4Most Gallery, University of Florida, Florida
​2019. ​​Philip Corner. No Notes Notes, City Gallery Striegl – Holland House, Sisak


1962. Graphic Scores, Minami Gallery, Tokyo
1970. Happenings& Fluxus, Kölnischer Kunstverein, Cologne
1976. The Sohm Archive, The Clocktower (Institute for Art and Urban Resources), New York
1976. What Happened / A Look Back, Judson Memorial Church, New York
1978. Artwords and Bookworks, LA Institute of Contemporary Art, Los Angeles
1979. Sammlung Hahn, Museum Moderner Kunst, Vienna
1979. Sound at P.S.1,  P.S.1, New York
1980. Musical Manuscripts, The Drawing Center, New York
1980. Ornamentation: The Unrelated Object C Space, Angels Ribe, New York
1980. 10 Jahre Edition Hundertmark, DAAD Galerie, Berlin
1980. Für Augen und Ohren, Akademie der Künste, Berlin
1980. Piazza di S. Spirito, Piazza Santo Spirito (Piazza della Palla) - la chiesa; & Bar Ricci, Florence
1980. Book Show, Zona, New York
1981. Artists’ Books, Zone, Springfield(MA)
1981. The Judson Project, Bennington College, Bennington(VT)
1981. Crossovers, Just Above Midtown/Downtown, New York
1981. Fluxfest, Akademie voor Beeldende Kunst, Enschede
1982. Judson Dance Theater: 1962-1966, Grey Art Gallery and Study Center, New York University, New York
1982. 1962 WiesbadenFLUXUS 1982, Museum Wiesbaden, Wiesbaden; Nassauischer Kunstverein
1982. Beth Laurin, Ma Ria (inkl. Friday’s Adventure), Galerie Ahlner, Stockholm
1983. Eine Kleine Geschichte von Fluxus in Drei Teilen, DAAD Galerie, Berlin
1983. Art Hats, Harlekin Art-Fluxeum, Wiesbaden-Erbenheim
1984. Blam! the explosion of Pop, Minimalism, and Performance 1958-1964, Whitney Museum of American Art, New York
1985. Memorial Exhibition for Helga Retzer, DAAD Galerie, Berlin
1985. Klang Ereignisse, music in my head, Hochschüle für Bildende Künste, Hamburg
1985. Biennale des Friedens - Finding a Form for Peace, Kunsthaus und Kunstverein Hamburgs, Hamburg
1985. Arco 85, fiera, Madrid
1985. Earsight: Visual Scores and Musical Images, Nexus Gallery, Philadelphia
1985. Festival of Fantastics, Galerie Sct. Agnes, Roskilde
1985. Musik und Kunst im 20. Jahrhundert, Neue Staatsgalerie Stuttgart, Stuttgart
1986. Lo Spazio, Le Stagioni, Le Opere, Galleria Unimedia, Genova
1986. Eye Music, Huddersfield Art Gallery, Huddersfield
1986. Eye Music, Ferens Art Gallery, Hull
1986. Il Sesto Senso Della Natura, Castello Carlo V, Lecce
1986. Eye Music, Serpentine Gallery, London
1986. Video & Multimedia: Soun-Gui Kim et ses Invités, Vielle Charité, Marseille
1986. L’Espace le Temps, Danae, Pouilly
1986. Eye Music, Mappin Art Gallery, Sheffield
1986. Bilder einer Ausstellung/Pictures of Pictures from Pictures of Pictures, Gelbe Musik, Berlin

1987. Eye Music, Hatton Gallery, Newcastle
1987. The Unmuzzled OX Show, Attitude Art, New York
1987. Brian Buczak, a memorial exhibition, Room 237 - Barbara Moore’s Space, New York
1987. Maibäume/Maypoles and the month of May, Harlekin Art-Fluxeum, Wiesbaden-Erbenheim
1987. Fluxus 25 Years, Williams College Museum of Art, Williamstown
1987. Vom Essen und Trinken in der Kunst des 20. Jahrhunderts, Von der Heydt-Museum, Wuppertal
1988. Stationen der Moderne Berlinische, Galerie/Museum für Moderne Kunst, Berlin
1988. Broken Music, DAAD Galerie, Berlin
1988. FLUXUS o del principio d’indeterminazione, Galleria Unimedia, Genova
1988. ...e ancora Fluxus, Genova, Galleria Unimedia
1988. FLUXUS  o del principio d’indeterminazione, Studio Leonardi - V-idea, Genova
1988. Hören und Sehen, Künstlerhaus Hamburg, Hamburg
1988. Art After Silence, Walters Hall Art Gallery, Mason Gross School of the Arts, New Brunswick
1988. FLUXUS selections from the Gilbert and Lila Silverman collection, Museum of Modern, Art New York
1988. Artistes des Happening et de Fluxus, Galerie 1900 – 2000, Paris
1988. Once wise always a fool, Harlekin Art-Fluxeum, Wiesbaden-Erbenheim
1989. Taking The Fluxus Around For A Drive, Haus an der Redoute, Bonn
1989. Der Gute Ton Zum Schönen Bild, Hochschüle für Bildende Künste, Hamburg
1989. Works from the Fluxus-archives, Høvikodden Kunstsenter, Sonja Henie og Niels Onstads, Stiftelser, Høvikodden(Oslo)
1989. proposta n.1 “Progetto di Strumento Musicale”, Circolo Culturale ‘Il Gabbiano’, La Spezia
1989. Il 6º senso della natura, Castello Carlo Quinto, Lecce
1989. Art After Silence, Walters Hall Art Gallery, Douglass College Campus, New Brunswick
1989. Happenings & Fluxus, Galerie 1900 – 2000, Paris
1989. Happenings & Fluxus, Galerie du Genie, Paris
1989. Happenings & Fluxus, Galerie de Poche, Paris
1989. d.i.s.c.o.t.h.è.q.u.e. expériences sonores d’artistes, Maison du Livre, de l’Image et du Son, Villeurbanne
1989. Arche Noah: alternativen heute, Harlekin Art-Fluxeum, Wiesbaden-Erbenheim
1990. Fluxus installation, Arte fiera, Bologna
1990. Fluxus!, Institute of Modern Art, Brisbane
1990. a group show, Studio Noacco, Chieri(Torino)
1990. una collezione in SCATOLE per i 20 anni della galeria, Galleria Unimedia, Genova
1990. FLUXUS, Sonja Henies og Niels Onstads Stiftelser, Hovikkøden(Oslo); Galerie Schüppenhauer Köln, Art-Cologne, Köln
1990. Proposta n.3 “Tocco d’Artista”, Circolo Culturale ‘Il Gabbiano’, La Spezia
1990. Piano Fortissimo, Fondazione Mudima, Milano
1990. Broken Music, Musée d’Art Contemporain de Montréal, Montréal
1990. Fluxus & Coº, Emily Harvey Gallery, New York
1990. Fluxus, Galerie Artcade, Nice
1990. La Presenza di Fluxus, ex Stallone, Reggio Emilia
1990. Fluxus S.P.Q.R., Galleria F. Borghese, Roma
1990. Ubi Fluxus ibi motus, Ex Granai della Repubblica alle Zitelle (biennale), Venice
1990. Fluxus Subjektiv, Galerie Krinzinger, Vienna
1990. Der Humor ist der Regenschirm der Weisen, Harlekin Art-Fluxeum,Wiesbaden-Erbenheim
1991. Archivio della Percezione: Il Senso del Suono, Circolo Culturale ‘Il Gabbiano’, La Spezia
1991. Il Cibo nell’Arte (proposta n.2), Circolo Culturale ‘Il Gabbiano’, La Spezia
1991. Voices for Choice, Ceres Gallery, New York
1991. permanent collection, Museo del Parco, Portofino
1991. Fluxartisti, La Giarina, Verona
1991. Under the Influence of Fluxus, Plug In, inc.; Gallery III; Melnychenko Gallery, Winnipeg
1992. FLUXUS and Company, Biuro Wystaw Artystycznych, Bialystok
1992. FLUXUS aus der Sammlung Andersch, Bielefelder Kunstverein, Bielefeld
1992. Fluxers, Museion, Bolzano
1992. FLUXUS from the George Maciunas Memorial Collection, Hood Museum of Art, Dartmouth College, Dartmouth
1992. Il Cibo nell’Arte, Aglaia, Firenze
1992. Il Mercato della Crisi, Galleria Unimedia, Genova
1992. Prove d’Orchestra, Galleria Unimedia, Genova
1992. Piano Fortissimo, Teatro Carlo Felice, Genova
1992. Under the Influence of Fluxus, North Dakota Museum of Art, Grand Forks
1992. Pää Läpi Seinän/Fluxus Taiteiijoiden teoksia Réné Blockin in Kokoelmasta, Nykytajteen 1992. Museo/Museet för Nutidskunst, Helsinki/Helsingfors
1992. Block’s Samling/Samlmung/Collection, Statens Museum for Kunst, København
1992. Fluxus Virus, Galerie Schüppenhauer, Köln
1992. Paginaperta, Circolo Culturale ‘Il Gabbiano’, La Spezia
1992. Arte Portatile, Circolo Culturale ‘Il Gabbiano’, La Spezia
1992. FLUXUS and company, Labyrinth 2 Gallery, Lublin
1992. Fluxus Virus, Aktionsforum Praterinsel, Munich
1992. l’Influence de/Under the Influence of FLUXUS, Galerie M, Sous Montréal
1992. Music for Eye and Ear, Emily Harvey Gallery, New York
1992. FluxAttitudes, The New Museum of Contemporary Art, New York
1992. Intégration des arts à l’architecture (permanent installation), Bibliothèque de l’Ancienne Lorette, Québec
1992. Mail Art, Museet for Samtidkunst, Roskilde
1992. Under the Influence of Fluxus, Museu de Arte Contemporanea, Sao Paolo
1992. FLUXUS and Company, Biuro Wystaw Artystycznych, Szczecin
1992. Under the Influence of Fluxus, Istituto Italiano di Cultura, Toronto
1992. FLUXUS and Company, Galeria Polnocna, Warsaw
1992. FLUXUS and Company, Galeria Sztuki Wspòiczesnej “AWANGARDA”, Wroclaw
1992. Fluxus da capo, 1962 WiesbadenFLUXUS 1992, Nassauischer Kunstverein; Kunsthaus; Fluxeum, Wiesbaden
1993. Global Bridge Project, Amerikahaus, Berlin
1993. FLUXERS a Bologna, Il Campo delle Fragole, Bologna
1993. Happy Birthday!, Galleria Unimedia, Genova
1993. proposta n.4 “Guardare a Fiuto”, Circolo Culturale Il Gabbiano, La Spezia
1993. Arte Portatile, Circolo Culturale Il Gabbiano, La Spezia
1993. Rolywholyover. A Circus, The Museum of Contemporary Art, Los Angeles
1993. In the Spirit of Fluxus, Walker Art Center, Minneapolis
1993. Global Bridge Project, Amerikahaus, Munich
1993. In the Spirit of Fluxus, Whitney Museum of American Art, New York
1993. Block’s Samling/Sammlung/Collection, Kunsthalle Nürnberg, Nürnberg
1993. Partitions et Notations, Salon de Musique, Suite de Printemps, Galerie Lara Vincy, Paris
1993. Block’s Samling/Sammlung/Collection, Listasafn Islands, Reykjavik
1993. La presenza della virtualità, arte come Pre-, ex Biscottificio Falcinelli, Sarzana
1993. Libro e Segnalibro, Museo dell’Informazione, Senigallia
1993. the SeOUL of Fluxus, Seoul Arts Center,Seoul
1994. en l’Esperit de Fluxus, Fundacio Antoni Tapies, Barcelona
1994. FLUXUS (fluxmedicine), Kunsthalle Basel, Basel
1994. Happenings & Fluxus, Fine Art, Rafael Vostell, Berlin
1994. Ritratti, Artefiera, Bologna
1994. Le Tavole della Legge, Castello di Volpaia
1994. In the Spirit of Fluxus, Museum of Contemporary Art, Chicago
1994. In the Spirit of Fluxus, Wexner Center for the Visual Arts, Columbus
1994. Isole del Disordine, Cortona
1994. ...Rubati Arcobaleni in un’Effigie, Galleria Unimedia, Genova
1994. Rolywholyover. A Circus, The Menil Collection, Houston
1994. Fluxus Media Opera, Xebec Hall, Kobe
1994. Kirsten Justesen - Smeltetid #5, Kulturministeriets Udstillingshus for Nutidig Kunst, Köbenhavn
1994. Proposta n.5 "Punti di Vista", Circolo Culturale Il Gabbiano, La Spezia
1994. L’Objet Reconnu, Circolo Culturale Il Gabbiano, La Spezia
1994. La Pioggia è Rumore ma è Musica, Circolo Culturale Il Gabbiano, La Spezia
1994. Il Gusto del Colore:  Cena in Bianco in Nero/Festmahl in Schwarz in Weiss, Art Gallery Raffl, Merano
1994. Fluxus a Merano, Galeria del Corso, Merano
1994. Rolywholyover. A Circus, Art Tower Mito, Mito (Japan)
1994. Rolywholyover. A Circus, Solomon R. Guggenheim Museum, New York
1994.“créer”, Danae, Pouilly
1994. In the Spirit of Fluxus, S.F. Museum of Modern Art, San Francisco
1994. FLUXUS, Watari-um, The Watari Museum of Contemporary Art, Tokyo
1994. 1 Biennale Ksiazki Artystycznej Galerii Rzezby, Warsaw
1994. Leuchten Innen/Außen: Glühbirnen, Harliken Art-Fluxeum, Wiesbaden-Erbenheim
1995. In de Geest van FLUXUS, Hessenhuis, Antwerpen
1995. Libretto Digitale Museo, Nuova Era, Bari
1995. FLUXUS nel Veneto, Museo Biblioteca Archivio, Palazzo Agostinelli, Bassano del Grappa
1995. Spiegel (Mirrors), Galerie Cornelius Hertz, Bremen
1995. Haut (Skin), Galerie Cornelius Hertz, Bremen
1995. Essen (Food), Galerie Cornelius Hertz, Bremen
1995. Lettera d’Amore, Le Arie del Tempo, Studio Alaya, Genova
1995. Sogniamo Insieme, Archivio Caterina Gualco, Genova
1995. Libretto Digitale, Il Vicolo, Genova
1995. Raccogliere il guanto, Leonardi V-idea, Genova
1995Fluxus in Deutschland  1962 _1994, Kunstsammlung Gera, Orangerie, Gera(Stuttgart)
199525 Jahre Edition Hundertmark 1970 -1995, Kölnisches Stadtmuseum, Köln
1995. Libretto Digitale, Circolo Culturale Il Gabbiano, La Spezia
1995. L’Esprit Fluxus, Mac, Galeries contemporaines des musées de Marseille, Marseille
1995. Triebquelle, Botanikum, Munich
1995. stones and voices, Praterinsel, Munich
1995. Hors Limites, Centre Pompidou, Paris
1995Presenze, artisti stranieri oggi in Italia, Padiglione Neri ex-Ospedale psichiatrico, Perugia
1995Rolywholyover. A Circus, Philadelphia Museum of Art, Philadelphia
1995Libretto Digitale, Portoferraio, Isola d’Elba
1995. Lettera d’Amore, Centre d’Art Contamporain, L’Annonciation, Québec
1995. Pari & Dispari - 25 Anni di Seduzione, Sala Giardino Civici Musei, Reggio Emilia
1995. Corrado Costa tra poesura e pittria, ex Caserma Zucchi, Reggio Emilia
1995. stones and voices, Stiftung für Konkrete Kunst, Reutlingen
1995. Libretto Digitale, la Galleria dell’Incisione, Santa Croce sull’Arno
1995. Leuchten Innen/Außen, Kunstkammer von Martin Schwartz, Schloss Bartenstein
1995. Fiat Fluxus, La Giarina, Verona
1996. Galeotto fu il libro, Biblioteca Comunale di Arese, Arese
1996. aus der Sammlung Francesco Conz, Fine Art, Rafael Vostell, Berlin
1996. Franco Vaccari, Real Time Exhibition no.22 : Artist’s Atelier Castelfranco, casa di Giorgione, Venice
1996. Rosanna Chiessi "In Bicicletta sul Mare", Palazzo Pallavicino – Alfacentauri, Parma
1996. Alphacentauri Estate, Corte delle Giara, Ragazzola(Parma)
1996. Stones and Voices, Stiftung für konkrete Kunst, Reutlingen
1996. Lydrejse, Acustica International, Museet for Samtidskunst, Roskilde
1997. Lettera d’Amore, Palazzo Cuttica, Alessandria
1997. questione di etichette, Museo Nuova Era, Bari
1997. Francesco Conz and the Intermedia Avant-garde, Queensland Art Gallery, Brisbane
1997. Ritratti?! Si, Ritratti!!!, Archivio Caterina Gualco, Genova
1997. Cravatte, collezione Antonella e Fabrizio Boggiano, Rinaldo Rotta, galleria d’arte contemporanea, Genova
1997. Lettera D’Amore, Margaret Harvey Gallery, Herfordshire
1997. l’enigma del tempo, Circolo Culturale ‘Il Gabbiano’, La Spezia
1997. questione di etichette, Circolo Culturale ‘Il Gabbiano’, La Spezia
1997. veRsUS be PcYC, Galerie Liga Nieuw Beelden, Leiden
1997. SInfonie Spiate / Tried Symphonies, Biblioteca Cominiana, Lido di Jesolo
1997. Rolywholyover, A Circus, The Museum of Contemporary Art, Los Angeles
1997. Fluxus in Rotterdam, Galerie Multiple XX, Rotterdam
1997. Musica e no,ex ospedale si S.Maria, Siena
1997. Lettera d’Amore, Margaret Harvey Gallery, University of Herfordshire, St. Albans
1997. Disco di Stilo (opera collettiva), Pinacoteca Comunale “Francesco Cozza”, Stilo(Reggio Calabria)
1997. Fluxus & Fluxismus, Make∆oniko Moyseio Sylxponhs Texnhs, Thessalonikh
1997. Promuovere l’Alluvione - Fluxus nella sua Epoca, Rocca di Umbertide/Centro per Arte Contemporanea, Umbertide
1997. Dadaismo Dadaismi, Galleria d’Arte Moderna et Contemporanea, Verona
1998. collezione Boggiano, nodi d’artista, Sale Espositive ex Ospedale Militare, Alessandria
1998. Al Fuoco! Al fuoco!, Museo Nuova Era, Bari
1998. Collage Juke Box Proje(c)t, Bregenzer Kunstverein, Bregenz
1998. Spazio Permanente Arte Contemporanea, anteprima, Palazzo d’Elia, Casarano
1998. Bonap-Art, Villa Solaria, Chiavari-San Andrea di Rovereto
1998. Musica e no Firenze, Dantesca della Biblioteca Nazionale Centrale, Tribuna
1998. Festa di Primavera, sarà una sorpresa!, Archivio Caterina Gualco, Genova
1998. KP Brehmer "Alle Künstler Lügen", Museum Fridericianum, Kassel
1998. Al Fuoco! Al fuoco!, Circolo Culturale ‘Il Gabbiano’, La Spezia
1998. Reliquiario, Circolo Culturale ‘Il Gabbiano’, La Spezia
1998. Out of Actions: Between Performance and the Object, 1949-1979, MOCA, Los Angeles
1998. Coleccion Fluxus donacion Gino Di Maggio, Museo Vostell Malpartida, Malpartida de Caceres
1998. Archivio Internazionale di Poesia, Biblioteca Civica, Mantova
1998. Musica e no, Palazzo Ducale, Mantova
1998. show/sale and celebration, Judson Memorial Church, New York
1998. questione di etichette, Studio Gennai, Pisa
1998. Alphacentauri Estate III, Corte delle Giara, Ragazzola(Parma)
1998. 40 monumenti per Corrado Opere di Corrado Costa, Museo Civico, Reggio Emilia
1998. Opere di Corrado Costa, 40 monumenti per Corrado, Pari e Dispari di Rosanna Chiessi, Reggio Emilia
1998. Immagini di culto - Arte Sacra per il XXI Secolo, Casa Morandi; Sala Nevera; il Chiostro Arte Contemporanea, Saronno
1998. Musica e No, Santa Maria della Scala, Siena
1998. Imagenes de culto - Arte Sacra para el Siglu XXI, Sala Parpallo; Centre Culturel La Beneficencia, Valencia
1999. Reliquiario, Museo Nuova Era, Bari
1999. La Chiave del Duemila, Museo Nuova Era, Bari
1999. Broken Music, DAADgalerie, Berlin
1999. Hommage à Dick Higgins, Ernst Muzeum, Budapest
1999. Foot-ware, Artpool Art Research Center, Budapest
1999. Experimenta 99, Ultimo Capitolo, Centro Cultural Ricardo Rojas, Buenos Aires
1999. Broken Music, Gemeentemuseum den, Haag
1999. Berty Skuber - Hortus Conclusus, Archivio Caterina Gualco, Genova
1999. Reliquiario, Museattivo Claudio Costa, Genova
1999. Broken Music, Magasin Grenoble, Grenoble
1999. fluxus, galeri Inge Baecker koleksiyonu, BORUSAN Kultur ve Sanat Merkezi, Istanbul
1999. George Maciunas Fluxus Room, Kauno Paveikslu Galerija, Kaunas
1999. Seduzione dei Sensi, Palazzina delle Arti, La Spezia
1999. La chiave del duemila, Circolo Culturale Il Gabbiano, La Spezia
1999. Dentro il Suono: Percorsi Musicali del ‘900, Centro Allende, La Spezia
1999. Nodi d’Artista, Centro Allende, La SpeziaMusiques en Scène, musée d’Art Contemporain, Lyon
1999. Poesia totale: 1897-199 : dal colpo di dadi alla poesia visual, Palazzo della Ragione, Mantova
1999. Poetiche in transito, Studioventicinque, Milano
1999. Berty Skuber - Hortus Conclusus, Galerie Etage, Münster
1999. 0º -40º, Galeria Pari & Dispari, Reggio Emilia
1999. Lydnøglen, Museet for Samtidkunst, Roskilde
1999. El espacio del sonido. El tiempo de la Mirada,Hotsaren espazioa,Begiradaren denbora, Koldo
1999Mitxelena/Kulturunea, San Sebastian(Donostia)
1999. Cravatte d’artista, Galleria Bedoli, Viadana
1999. Donacija Francesca Conza, Muzey suvremene umjetnosti, Zagreb
2000. Wasser, Water, l’’Eau: 2. International Mail-Art Biennale, Kunstgebäudz im Schloßhof Bodenburg, Bad Salzdetfurth
2000. Arte contemporanea su mattonelle, Pozzo di Gotto-Gala,Museo Epicentro, Barcelona
​2000. SEnTieRinTeRROTTi, Palazzo Bonauguro, Bassano del Grappa
​2000. La chiave del duemila, Studio via Principale, Biella
​2000. La chiave del duemila, Contaminazione, Genova
​2000. L’Extra-vaganza e il rito, scatole della sua collezione, Archivio Caterina Gualco, Genova
​2000. La chiave del duemila, Circolo Culturale ‘Il Gabbiano’, La Spezia
​2000. La chiave del duemila, Olimpalus, Latina
​2000. Modern American Artists, Webster University, Leiden
​2000. pari & dispari, eventi culturali, Arco 2000 Italia, Madrid
​2000. Happy Birthday Johannes, Gutenberg Pavilion, Mainz
​2000. I am sitting in a room: Sound Works by American Artists 1950-2000, Whitney Museum, New York
​2000. La chiave del duemila, Studio Gennai, Pisa
​2000. La chiave del duemila, Museo Civico, Praia a mare
​2000. Il Sognatore Sognato - 50  Monumenti per Corrado Costa, Musei Civici, Reggio Emilia
​2000. Cravatte, collezione Antonella e Fabrizio Boggiano, Complesso Monumentale, Fortezza del Priamar, Savona
​2000. Dré Wapenaar: collage JukeBox2.1, galerie commune, Tourcoing
​2001. Esercizi di stile: Mademoiselle Rivière, Aänekosken kirjaston Hoikkassalissa, Aänekosken (Finland)
​2001. Lettera d’Amore, Castello della Lucertola, Apricale
​2001. Cravatte d’artista, Sala Ss. Giacomo e Filippo, Brescia
​2001. Between Sound and Vision, Gallery 400, College of Architecture and the Arts, UIC, Chicago
​2001. VII Esposizione Nazionale Artisti per l’Epicentro, Galleria d’arte Epicentro, Gala di Barcellona (ME)
​2001. Cataloghi, Libri, Riviste, Video, Diapositive, Fotografie, Dischi, Nastri, Libri Unici, Scatole, Grafiche, Oggetti, Documentazione Varie, Archivio Caterina Gualco, Genova
​2001. Esercizi di stile: Mademoiselle Rivière, Palazzina delle Arti, La Spezia
​2001. ad libitum, Circolo Culturale ‘Il Gabbiano, La Spezia
​2001. Esercizi di stile: Mademoiselle Rivière, Sale espositive del Museo Comunale, Senigallia
​2001. Esercizi di stile: Mademoiselle Rivière, Udine
​2001. 537 Broadway comes to Venice, Emily Harvey, associazione culturale, Venice
​2001. Leonardo in Azione e Poesia, Museo Ideale Leonardo da Vinci, Vinci
​2001. Esercizi di stile: Mademoiselle Rivière, Viitasaaren taidagalleriassa, Viitasaari (Finland)
2002. Eclectic, The ABC Treehouse Gallery, Amsterdam
2002. Esercizi di stile: Mademoiselle Rivière, Museo Nuova Era, Bari
2002. Il Segreto della Risata, Museo Nuova Era, Bari
2002. Ann Noël, My Word - Meine Güte!, Halle LinX, Berlin
2002. Fluxus und Freunde, Neues Museum Weserburg, Bremen
2002. 5+1=2. Mail, etc.,Flux(art)World, Artpool P60, Budapest
2002. Il Segreto della Risata, Villa Solaria, Chiavari-San Andrea di Roverto
2002. The Fluxus Constellation, Museo d’arte contempranea di Villa Croce, Genova
2002. happy birthday, Fluxus!, Joyce & Co, Genova
2002. Lettera d’Amore, Cultureel Centrum het Spoor, Harelbeke
2002. Il Segreto della Risata, Circolo Culturale ‘Il Gabbiano, La Spezia
2002. L’art mol et raide, MAC musée d’art contemporain, Lyon
2002. Esercizi di stile: Mademoiselle Rivière, Famagusta Gate Cultural Center, Nicosia
2002. Il Segreto della Risata, Studio Gennai, Pisa
2002. 40 Jahre. Fluxus und die Folgen, Museum Wiesbaden; Nassauischer Kunstverein, Wiesbaden
2003. Critical Mass, The Mead Art Museum, Amherst College, Amherst
2003. Fluxus und Freunde, Bundesmuseum, Bonn
2003. parallel realities/Mail,etc.,Flux(art)World, Artpool P60, Budapest
2003. l’avventura Fluxus, Centro Espositivo “Pake”, Castelvetro di Modena
2003. il Viaggio dell’Uomo Immobile, Museo d’arte contempranea di Villa Croce, Genova
2003.  “Xmas”, collettiva natalizia, Archivio Caterina Gualco, Genova
2003. AD LIBITUM  musica da vedere, Palazzina delle Arti “L.R.Rosaia”, La Spezia
2003. Critical Mass, Rutgers University, Mason Gross Galeries, New Brunswick
2003. flluxus continue, Galerie contemporaine du mamac, Nice
2003. Alison knowles/Michael Lazarus, the S.F. Art Institute, San Francisco
2003. Esercizi di Stile: Mademoiselle Rivière, Istituto Italiano di Cultura, Toronto
2003. Centraal Fluxus Festival, Centraal Museum, Utrecht
2003. Ben Vautier “Life Never Stops”, Emily Harvey, associazione culturale, Venice
2004. Omaggio a Piero Siena, Museion, Bolzano
2004. in the ‘fourth dimension’, Artpool Art Research Center, Budapest
2004. Il Libretto Digitale, Centro “S. Allende”, La Spezia
2004. Arte del video. Viaggio dell’uomo immobile, Complesso Monumentale di San Micheletto, Lucca
2004. Dall’archivio ROSANNA CHIESSI, 1° tempo - “il Fascino di Fluxus”, Spazio per l’Arte Contemporanea, Modena
2004. all about pillows: kissen zum traümen, Kultfabrik/White Box, Munich
2004. Sons & Lumières, Centre Pompidou, Paris
2004. FLUXUS - Art into Life, Urawa Art Museum, Saitama-City (Japan)
2004. ipermercati dell’arte, “il consumo ironizzato", Complesso Museale di Santa Maria della Scala, Palazzo Squarcialupi, Siena
2004. Ad libitum, musica da vedere, verifica 8+1, Venice-Mestre
2005. Artelibre: Il Libro d’Artista in Emilia-Romagna, Museo Civico Archeologico, Bologna
2005. 25 Jahre Antiquariat und Galerie Beim Steinernen Kreuz, Antiquariat und Galerie Beim Steinernen Kreuz, Bremen
2005. The Experimenter &  the Art of Perception, Artpool P60, Budapest
2005. Libretto Digitale - cento idee in cento libretti, Galleria del Palazzo del Carmine, Caltanissetta
2005. Schrift, Zeichen, Geste, Kunstsammlungen Chemnitz, Chemnitz
2005. Hommage an Emmett Williams, Museum am Ostwall, Dortmund
2005. Musica da Vedere, Castello di Spezzano, Fiorano Modenese
2005. Konx Om Pax (omaggio a Giacinto Scelsi), CAMEC Centro Arte Moderna e Contemporanea, La Spezia
2005. Fluxus & Freunde, Kunstmuseum Kloster Unser Lieben Frauen, Magdeburg
2005. Fluxus, Derbylius, Milan
2005. Memorial Celebration for Emily Harvey, 537 Broadway, New York
2005. Un cuscino per sognare, Palazzo Casotti, Reggio Emilia
2005. Materyal:  l’arte e la materia del mondo, Gamma Due, Scandiano
2005. Esercizi di Stile: Mademoiselle Rivière, Chiesa romanica di Santa Maria, Vezzano Ligure
2006. 30 Years Galerie A, Galerie A/Harry Ruhé, Amsterdam
2006. Roberto Ciaccio: Revenants (Widerspieglung der Matrix), Kupferstichkabinett, Staatliche Museen zu Berlin, Berlin
2006. Edizioni Francesco Conz, Leinwände/Tele/Works on Cloth, MUSEION Biblio-thek/ teca, Bolzano/Bozen
2006. Recollection from 1988 to 2006, Artpool, P60 Budapest
2006. Contro e Vento, Palazzo Ducale/Spazio Espositiva, Casina (RE); Castello di Sarzano, Castelnovo ne’Monti
2006. Galleria Caterina Gualco, Arte Fiera Genova, Genova
2006. Contro e Vento, Galata Museo del Mare, Genova
2006. Shoes Or No Shoes?, Shoes Or No Shoes Museum, Kruishoutem
2006. Contro e Vento, Centrale Idroelettrica ENEL, Ligonchio
2006. Pianofortissimo, Museo Vostell Malpartida, Malpartida de Caceres
2006. Le Tas d’Esprits, various galleries, Paris
2006. Primo Piano--parole,suoni,immagini da una collezione d’arte, Centro per l’Arte Contemporanea Luigi Pecci, Prato
2007. Pianofortissimo, Museu Municipal, Alvaiazere
2007. De Sixties?, Galerie A/Harry Ruhé; and other locations, Amsterdam
2007. Multiples 1960 - 2007 uit de collectie Harry Ruhé, De Nederlandsche Bank, Amsterdam
2007. Ad libitum, musica da vedere, Neuen Rathaus, Bayeuth
2007. Joe’s Bar, TAKT  kunstprojektraum, Berlin
2007. Vertigo. Il secolo di arte off-media dal Futurismo al web, MAMbo, Bologna
2007. Y&WAP;: Recollection from 1987 to 2007, Artistamp Museum of Artpool, Budapest
2007. RISALTO FLUXUS mosaici di riso, Castello di Camino
2007. Lo spirito dell’arte: Opere contemporanee dalla collezione di Carlo Catellani, Castello di Formigine, Formigine
2007. WORDS/PAROLE - Allan Kaprow: Arte come Vita, Galeria UnimediaModern, Genova
2007. Dining Out (Ristorante dell’Arte), Galeria UnimediaModern, Genova
2007. Ausstellung zur Schallplattenkultur \5 Jahre Gelbe Musik, GesteigVinyl Kultur, Munich
2007. L’aura della serialità, CAMeC, La Spezia
2007. Metamorfosi del Libro. Minibooks Palazzina delle Arti “L.Rosaia”, Biblioteca d’Arte, La Spezia
2007. Viaggio nella Parola /Journey into the Word, Circolo Culturale “Il Gabbiano” - Arte Contemporanea, La Spezia
2007. Evidence of Movement, Getty Research Institute, Los Angeles
2007. Ruidos, Silencio y la Transgresiòn Mordaz, Casa Encendida, Madrid
2007. Klang im Bild, Opelvillen, Russelheim
2007. BAU III - Contenitore di Cultura Contemporanea, Biblioteca Comunale, Palazzo delle Muse, Viareggio
2007. Focus 03 - Konzept, Aktion, Sprache, Museum Moderner Kunst Stiftung Ludwig, Vienna
2008. Werken uit de collectie van Armin Hundertmark, ‘A’ Space, Amsterdam
2008. La Sala del Silenzio e del Suono, Third Free International Forum: Vetrina Notturna, Bolognano (Pescara)
2008. CHIARImente-luce arte industria Arteinsegna 3, Colossi Arte Contemporanea, Brescia
2008. Roberto Ciaccio: INFINTONONFINITO, Galerie Patrick Cramer, Genève
2008. ”la Terra racconta,la mia Storia,il mio Paese”, MAIL-ART del Comune di Palazzo Pignano, Palazzo Pignano (CR)
2008. Le Son des Ténèbres – Roberto Ciaccio, Palazzo Fontana di Trevi-Palazzo Poli, Roma
2008. FLUXUS SCORES AND INSTRUCTIONS, The Transformative Years, Museet for Samtidskunst, Roskilde
2008. Sound of Art, Museum der Modern, Salzburg
2008. Pianofortissimo, Museu Convento Dos Loios, Santa Maria da Feira
2008. Gli anni del LAB, Fortezza Firmafede, Sarzana
2008. Progetto Mail-Art “come Renato Brozzi”, Museo Renato Brozzi, Traversetolo
2008. Where I Come From, André Demedtshuis, Wilsbeeke
2009. Hidden Delights: Lingerie in the Arts, ‘A’ Space, Amsterdam
2009. Sulla Via dell’Arte, Chiesa di San Vittore, Ascoli Piceno
2009. Creative R’evolution—50 Years of Fluxus from the Archivio Bonotto, Fira /Bread & Butter, Barcelona
2009. John Cage: Sound & Silence – From Experimental Composition to Experimental Art, MACBA, Barcelona
2009. Bilder einer Ausstellung, Edition Block, Berlin, Genova
2009. Spinola Contemporanea: L’artista contemporaneo interpreta la dimora storica, Palazzo Spinola
2009. White Noise, Galeria UnimediaModern, Genova
2009. Voids, Centre Pompidou, Metz
2009. Voids, Centre Pompidou, Paris
2009. Soudain l’été Fluxus, Passage de Retz, Paris
2009. Pianofortissimo, Bienal, Zamora
2010. The Anarchy of Silence: John Cage and Experimental Art, MACBA, Barcelona
2010. Di Segni & Messaggi, UnimediaModern, Genova
2010. Fluxus à la carte, UnimediaModern, Genova
2010. The Anarchy of Silence: John Cage and Experimental Art, Schunck*, Heerlen
2010. The Anarchy of Silence: John Cage and Experimental Art, Henie Onstad Kunstsenter, Høvikodden/Oslo
2010. Fluxus – Henie Onstad Art Centre Henie, Onstad Kunstsenter, Høvikodden/Oslo
2010. Cage and Cunningham:  Chance, Time, and Concept in the Visual Arts, MmoCA, U of Wisconsin, Madison
2010. Fluxus Vivrremo – Vedremo, Multimedia Complex of Actual Arts, Moscow
2010. A Sanctuary for the Arts: Judson Memorial Church and the avant-garde 1955- 1977, Fales 2010Library, NYU, New York
2010. Fluxus Women: Now & Then, MOMA, New York
2010. Vinyl: disques de pochettes d’artistes, La Maison Rouge, Paris
2010. Fluxus in Nederland, XX Multiple Galerie, Rotterdam
2011. Chronische Fluxitis, Neues Museum Weserburg, Bremen
2011. Der Zweite Blick, Museum Ostwall im Dortmunder U, Dortmund
2011. Bestiario, mitologia del contemporaneo, Museo di S.Agostino, Genova
2011. erba e fior che la gonna..., Unimediamodern, Genova
2011Visual Music, Die Schule (“Blurred Edges”), Hamburg
2011. Fluxus and the Essential Questions of Life, NYU/Fales Library/Grey Art Gallery, New York
2011. Pour faire avancer le Schmilblick, l’Espace à débattre, Nice
2011. Schmilblick 2, l’Espace à débattre, Nice
2011. Pensieri al Vento, Corpo Forestale dello Stato, Rome
2011. Forest Magic Mountain/Giornata Mondiale della Montagna, FAI (Food&Agriculture; Org. of UN.), Rome
2012. “The lunatics are on the loose...” European Fluxus Festivals 1962-1977, Akademie der Künste, Berlin
2012. Iinge baecker bochum – fluxus ruhrgebiet, Kunstmuseum Bochum, Bochum
2012. Palabras, imagenes y otros textos, MAMba, Buenos Aires
2012. Arte-fatti e Ready-made, Carpi galleria Alberto Pio 16c, Carpi
2012. Fluxus. A Crreative Revolution: 1962.2012, m.a.x. museo, Chiasso
2012. Fluxus. A Crreative Revolution: 1962.2012, MUNAE – Museo Nacional de la Estampa, Città del Messico
2012. Kunst für Alle, Museum Ostwall, Dortmund
2012. Things Not Seen Before: A Tribute to John Cage, FSW/Bob Rauschenberg Gallery, Ft.Myers
2012. We are still here!-Fluxus flea-market, Unimediamodern, Genova
2012. We are still here!-Fluxus, 3rd movimento, Unimediamodern, Genova
2012. “on your feet!”, Unimediamodern & VisionQuesT, Genova
2012. “The lunatics are on the loose...” European Fluxus Festivals 1962- 1977, Nikolay Kunsthal, København
2012. ​“The lunatics are on the loose...” European Fluxus Festivals 1962-1977, MOCAK Museum of Contemp. Art, Krakow
2012. 1962 FLUXUS 2012, Il Gabbiano, La Spezia
2012. fluxus – una revoluciòn creativa 1962-2012, Museo Nacional de la Estampa, Mexico,D.F
2012. at/around/beyond: Fluxus at Rutgers, Zimmerli Art Museum, New Brunswick
2012. Membra Disjecta for John Cage, House of Art, Ostrava
2012. “The lunatics are on the loose...” European Fluxus Festivals 1962-1977, Goethe-Institut, Paris
2012. “The lunatics are on the loose...” European Fluxus Festivals 1962-1977,  UAP Poznan, Poznan
2012. Membra Disjecta for John Cage, DOX Center for Contemporary Art, University of Arts, Prague
2012. Women in Fluxus & Other Experimental Tales, Palazzo Magnani, Reggio Emilia
2012. Things Not Seen Before: A Tribute to John Cage, Tampa Museum of Art, Tampa
2012. Fluxus Jubileum; L’ultima avanguardia del Novecento nelle collezioni venete, Palazzo Giacomelli, Treviso
2012. Papyri, Archivio Emily Harvey, Venice
2012. Fluxus Jubileum; 1962.2012, La Giarina, Verona
2012. “The lunatics are on the loose...” European Fluxus Festivals 1962-1977, CAC Contemp. Art, Vilnius
2012. Membra Disjecta for John Cage, Freiraum Quartier21 INTERNATIONAL im MuseumsQuartier, Vienna
2012. Fluxus 50, Kunstfestival, Wiesbaden
2013. De ounstenaar en zijn collectie; Phil Bloom, Arti wt Amicitiae, Amsterdam
2013. Membra Disjecta for John Cage. wanting to say something about John, City Gallery, Brno
2013. “Anybody can have an idea” – Sammlung in Bewegung, Museum Ostwall, Dortmund
2013. “Ama e fa’ ciò che vuoi” – Archivio Cattelani,  Abbazia di San Pietro – Chiostro, Modena
2013. Abbey Contemporary Art, ex-Abbazia di San Remigio, Parodi Ligure
2013. Fluxus 50. Men and Women in Fluxus, Kaohsiung Museum of Fine Arts, Taiwan
2013. Things Not Seen Before: A Tribute to John Cage, Nat’l Gallery of Art, Tbilisi
2013. The Legacy of Emily Harvey, Emily Harvey Foundation, Venice
2014. Piano Destructions (video installation by Andrea Büttner), Banff Center, Banff
2014. DJ’s Verboten, La Plaque Tournante, Berlin
2014. manifesto 2, The Performance Centre, Falmouth University, Falmouth
2014. Piano Destructions (video installation by Andrea Büttner), Museum Ludwig, Köln
2014. manifesto2, Die Feuerwache, Köln
2014. Art is Food. Food is Art. Cultura e Sostenibilità, Grattacielo Pirelli, Spazio Eventi, Milan
2014. Wunderkammer Fluxus, Galleria SIX, Milan
2014. manifesto2, St, Hilda’s College, Oxford
2014. BAU, Studio Gennai, Pisa
2014. FLUXUS Evropské Festivaly 1962-1977, Nàzodni Galerie, Prague
2014. OPENING 04.05.2014; Spazio 900 (collezione Chiessi), Sostenibilità e Cultura, Palazzo dei Musei, Reggio Emilia
2014. Kunstsammlung Schlößer und Gärten, Staatliches Museum, Schwerin/Ludwigslust/Güstrow
2014. Personae, Archivio Emily Harvey, Venice
2015. Ou : Ur : Source, La Plaque Tournante, Berlin
2015. Vitamine, Museo Novecento, Florence
2015. Marcel Duchamp & John Cage, les grands trans-parents, UnimediaModern, Genova
2015. Una Collezione, UnimediaModern, Genova
2015. C’è occhio e occhio, Centro Culturale “Il Gabbiano”, La Spezia
2015. manifesto2, Royal Northern College of Music, Manchester
2015. BAU A3D, Libreria Bocca, Milan
2015. Giornata Mondiale del’Ambiente, Expo 2015, Milan
2015. Feuer+Flamme, Botanikum, Munich
2015. Yoko Ono: One Woman Show, 1960-1971, MOMA, New York
2015. Inventing Dance: In and Around Judson, MAMAC, Nice
2015. Vitamine, Centro per l’Arte Contemporanea “Luigi Pecci”, Prato
2015. Vitamine, MART, Rovereto
2015. Notte Verde, MART, Rovereto
2015. Coltiviamo il gusto, Palazzo delle Albere, MUSU Museo delle Scienze, Trento
2015. Vinitaly 2015, Palazzo Fiera Palaexpo, Verona
2015. Personae, Emily Harvey Foundation, Venice
2015. Marcel Duchamp & John Cage, les grands trans-parents, Emily Harvey Foundation, Venice
2015. FluxBooks: from the Sixties to the Future, Fondazione Bevilacqua La Masa, Venice
2015. Vitamine, GAMC, Viareggio
2016. Galerie A (1976 - 2016), ArtKitchen Gallery, Amsterdam
2016. Marcel Duchamp.Dada e Neo-Dada, Museo Comunale d’Arte Moderna, Ascona
2016. “Apothéose” (sound installation), Galleri 3,14/Parabol, Bergen
2016. Music for Deaf People, La Plaque Tournante, Berlin
2016. “Relax, Ben”, Kunsthalle, Brno
2016. Vitamine, Spazio d’Arte Alberto Moretti | Schema Polis, Carmignano (PO)
2016. Vitamine, Bosco dei Poeti, Dolcè (VR)
2016. A Feast of Astonishments: Charlotte Moorman and the Avant-Garde, Block Museum, Northwestern U., Evanston
2016. L’opera Assente, Il Gabbiano, La Spezia
2016. Vitamine, Villa Caruso, Lastra a Signa (FI)
2016. A Feast of Astonishments: Charlotte Moorman and the Avant-Garde, Grey Art Gallery, NYU, New York
2016. Play What You Like: Fluxus, Music & More, Howl! Happening Gallery, New York
2016. Tutto Quadro, Musei Civici, Reggio Emilia
2016. SENSE SOUND SOUND SENSE, Auditorium Parco della Musica, Roma
2017. Merce Cunningham retrospective, MCA, Chicago
2017. FluZUsic, Bob Rauschenberg Galery, Fort Myers (FL)
2017. Finestre Meridiane, Villa Croce, Genova
2017. Kunst ins Leben (Sammlung Hahn), Museum Ludwig, Köln
2017. La Parola alle Immagini, Gallery Gian Marco Casini, Livorno
2017. 500 Angeli & Artisti, Serrone della Reggio Reale, Monza
2017. EHF Collection, Emily Harvey Foundation, New York
2017. Supportico Lopez, Printed Matter Art Book Fair, MoMA PS1, New York
2017. Libri d’Artista, Libri d’Arte, Libri Oggetto dall/Archivio Carlo Palli, Bibliioteca San Giorgio, Pistoia
2017. Archivio Storico Pari e Dispari, Biblioteca Panizzi, Reggio Emilia
2017. A Feast of Astonishments: Charlotte Moorman and the Avant-Garde, Museum der Moderne, Salzburg
2017. Sportification, The Big Piano Smash, GAM, Torino
2017. Stand Caterina Gualco, Fiera d’Arte, Torino
2017. Dedicatorios/Dedications-espacio.sonido.silencios, Museo Patio Herrariano, Valladolid
2017. Teli, Archivio Emily Harvey, Venice
2017. Merce Cunningham retrospective, Walker Art Center
2017. “Artist on Vacation 2017” by Valamar, Muzej Suvremene Umjetnosti, Zagreb
2018. Rosanna Chiessi. Pari e Dispari, MAMbo, Bologna
2018. Addio alle Armi / Prayer for Peace, Bosco des Poeti, Dolcè (Trentino)
2018. declinando il libro d’artista, UnimediaModern, Genova
2018. Walking From Scores, Standards, Milan
2018. Judson Dance Theater: The Work is Never Done, MoMA, New York
2018. Inventing Dance. In and Around Judson, MAMAC, Nice
2018. KP BREHMER  Art =/= Propaganda, Neues Museum, Nuremberg
2018. Editions AcquAvivA  +  CRU3, Librarie Lecointre Drouot, Paris
2018. Intra Moenia, Castello Camori, Soliera (MO)
2018. Edizioni Colophon, Fiera d’Arte, Torino
2018. Prayer for Tibet, Mountain Film Festival, Trento
2018. Prayer for Tibet, Biennale, Venice
2018. Vola Alta, Parola (Edizioni Colophon), Biblioteca del Longhena, Venice
2019. Fluxus Eptastellar, Fondation du doute, Blois
2019. KP BREHMER Art =/= Propaganda, Gemeentemuseum, den Haag
2019. Qui ha paura dell’arte contemporanea, Villa Croce, Genova
2019. Lunavagando/Here and There on the Moon, Galeria UnimediaModern, Genova
2019. Zefiro Torna, L’utopia Maciunas, Galeria UnimediaModern, Genova
2019. Biennale Le Latitudini della Arte  “Acqua e Luce”, Palazzo Ducale, Genova
2019. KP BREHMER  Art =/= Propaganda, Hamburger Kunsthalle, Hamburg
2019. Sense Sound / Sound Sense, Whitechapel Gallery, London
2019. Sluchajaç okiem/Hearing by Eye, Arciwum Idei/Archive of Ideas, Poznan
2019. Effetto Leonardo, Palazzo Pretorio, Prato
2019. Declinando il libro d’artista, Sala Biblioteca, Villa Cervigliao(Biella)
2020. KP BREHMER  Art =/= Propaganda, Arter, Istanbul



  • ¿What Next? /Nonsequitur, Malcolm Goldstein: Sounding the New Violin, 1991
  • The Aerial#5 / Nonsequitur (ed:Steve Peters), 1992
  • Frog Peak Music, Delicate Computations, 1992
  • Alga Marghen, Pieces of (acoustic) reality and ideality, 1997
  • Resonance, vol.7 no.1/London Musicians Cooperative (ed:Phil England), 1998
  • Alga Marghen, On tape from the Judson Years, 1998
  • Wergo/Ars Acustica WDR, riverrun (ed:K.Schöning), 1999
  • Alga Marghen, 3 Pieces for Gamelan Ensemble, 1999
  • Erratum #2 (ed:Joachim Montessuis), 1999
  • Koldo Mitxelena Kulturunea (San Sebastian), Hotsaren espazioa; Begiradaren denbora, El espacio del sonido ; El tiempo de la Mirada, ed:Jose Iges  (with catalog), 1999
  • Alga Marghen, Ben Patterson, Early Works (as performer), 1999
  • XI (Experimental Intermedia), 40 Years and One: P.C. plays piano, 2000
  • Mob Shop 1981 - the Audio Events (ed:Magnus Palsson), 2000
  • Alga Marghen, Gong +, 2002
  • Univ. of Illinois, Chicago, Between Sound and Vision (with catalog), 2001
  • NCCA, Kaliningrad Branch, Homo Sonorus (ed:Dmitri Bulatov), with an anthology, 2001
  • Wergo/Ars Acustica WD, Fluxus (ed:K.Schöning), 2001
  • Wergo/Ars Acustica WDR, John Cage (ed:K.Schöning) (as performer), 2003
  • Locust Music, The Complete Gamelan in the New World (reissue from Folkways), 2003
  • Alga Marghen, More From the Judson Years (early 60s) - vol 1 & 2, 2004
  • Mode, Morton Feldman – 9 (as performer), 2005
  • Pogus Productions, DIY Canons, 2005
  • Yogyakarta Contemporary Music Festival, #4, From Noise to Silence, 2005
  • Locust Music, Metal Notes (gamelan Son Of Lion), 2006
  • Pitch - American Festival of Microtonal Music, Ear Gardens, 2006
  • New World (Recorded Anthology of American Music), Extreme Positions, 2007
  • Folkways, Gamelan in the New World, vol. 1&2 (reissue), 2007
  • Innova, Gong (Cymbal) Ear in the desert, 2009
  • Alga Marghen, Dick Higgins The Thousand Symphonies (as arranger and performer), 2009
  • KLANG! –BAU, feelings (a music), 2010
  • Alga Marghen, Ben Patterson:Born in the State of Fluxus (as performer), 2010
  • nouvelle Revue d’esthétique, Tombeau pour mon ami Daniel Charles, 2010
  • BAU otto, Una Giornata al MART (in contenitore), 2011
  • die Schachtel, Philip Corner/Manuel Zurria “Joy Flashings”, 2011
  • Pogus Productions, Pieces from the Past: by Philip Corner for the violin of Malcolm Goldstein, 2011
  • Fundacio Autor/coleccion exploraciones, Ars Sonora, 25 anos, Una experiencia....en radio, 2012
  • Quiet World, Quiet Understandings, 4 days in a piano at Reggio Emilia, IT, 2012
  • Wiesbaden. Kulturamt, Fluxus 50 – der Film (with catalog), 2013
  • Quiet World, Through the Mysterious Barricade at Holysloot, Holland, 2013
  • Umlaut, Lifework: A Unity -- Hodos plays Philip Corner - vol 2 (1960 - 75), 2014
  • Unseen Worlds, Satie Slowly (as piano performer), double album, 2014
  • Umlaut, Lifework: A Unity -- Hodos plays Philip Corner - vol 3 (1972 - 89), 2015
  • Setola di Maiale, Rahayu Supanggah with Philip Corner: Together in New York, 2015
  • M DG Scene, Fluxus Piano (Schleiermacher) (with other composers), 2015
  • Frog Peak Music, Delicate Computations (A & B) (rerelease of cassette), 2015
  • ANTS, conceptmusic (silent), 2016
  • Where is the Zeitgeist (Shanghai), Crazy Music “Ahk for Kwok” (a Mysterious Barricade), 2016
  • Quiet World, 2 Gong/Ears:(Cavriago), 2016
  • Setola di Maiale, Through Mysterious Exotic Realities: Asian & African, 2016
  • The Wormhole, Gong/Ear: shaman, 2016
  • Umlaut, Lifework: A Unity -- Hodos plays Philip Corner - vol 1 (1950 - 59), 2016
  • Frog Peak Music, Delicate Computations (C D E F), 2016
  • Setola di Maiale, Philip Corner in the Apartment House, 2017
  • Quiet World, Gong Ear: Natura, 2017
  • Lithuanian Music Information, Jurgis Maciunas/Apartment House (Homage to Philip Corner— by Maciunas), 2017
  • ANTS, gamelan Coming & Going, 2017
  • In Music, F/FTY (with others), contains Homo Ignorans, 2018
  • Where is the Zeitgeist (Shanghai), Sang Teh/Situations, 2018
  • Setola di Maiale, Dedalus a Parma, 2019
  • Setola di Maiale, Omniphony, 2019
  • Setola di Maiale, Settola, di Maiale Unit with Evan Parker (as performer), 2019

Philip Corner -  DISKOGRAFIJA | DISCOGRAPHY: Gramofonske ploče | LPs

  • Folkways, Charles Ives SONGS, vol. 1 (as performer), 1966
  • Folkways, Charles Ives SONGS, vol. 2 (as performer), 1966
  • CRI-Composers Recordings, William Hellermann, “ek-stasis II” (as performer), 1972
  • Folkways, Gamelan in the New World (with others), 1979
  • Folkways, Gamelan in the New World, vol 2 (with others), 1982
  • Radiotaxi© 8 (Ed. Lotta Poetica & Studio Morra), 2 Works for Gamelan Ensemble, 198?
  • Editions Lebeer Hossmann, Playing with the Elements –box with scores & objects (also a very limited number of single records), 1985
  • Edition Block, Pictures of Pictures from Pictures of Pictures, 1988
  • Recorthings & Zona, Fluxus Anthology (ed: Nanucci)(with others), 1989
  • Alga Marghen, Metal Meditations, 1997
  • Alga Marghen, Word - Voices, 1997
  • Alga Marghen, 100 Years of Soundings (with Malcolm Goldstein), 1998
  • Slowscan (vol.10), Piano Work, 2000
  • a14, Le Son des Tenebres (with Daniele Lombardi), 2011
  • Alga Marghen, Coldwater Basin, 2011
  • Alga Marghen, Coldwater Basin 2, 2012
  • Ricerca Sonora, Aria Italiana: vento,acqua & metallo/Italian Air: wind,water & metal, 2012
  • Ricerca Sonora, Musique des Ailes/Wingèd Music (with Michel Vogel & Phoebe Neville), 2012
  • Roaratorio, Gong/Ear: dance-ing, 2012 
  • More Mars, Rocks May Fall At Any Time, 2013
  • Alga Marghen, Piano Activities-Wiesbaden 1962, 2013
  • Ricerca Sonora, Batuttosso and other Nature Musics, 2013
  • Roaratorio, Through Two More-Than-Mysterious Barricades, 2014
  • Alga Marghen, PoorManMusic, 2015
  •  Kye, OM Entering. and Once Enterd: (The Barton Workshop Plays Philip Corner), 2016
  • Recital, STONES DREAMS--Geoffrey Hendricks, 2019

Philip Corner - DISKOGRAFIJA | DISCOGRAPHY: audiokazete | cassettes

  • New Wilderness Audiographics, #7701A  (“Uhhm” & “OM pot”); 7701B (Metal Meditations), 197?
  • Breathing Space/77 (ed:John Wellman)(with others),1977
  • Edition After Hand, Alison Knowles: Three Songs (as performer), 1978
  • ELENFANTE.II Festival de la libre expresiòn sonora, Madrid, 1981
  • Smithsonian, Gamelan in the New World (reissue of the original Folkways LP of 1979)
  • Smithsonian, Gamelan in the New World, vol 2 (reissue of the original Folkways LP 1982)
  • S-Press Tonband, Philip Corner, collaborations with friends and electronics, 1983
  • Roskilde Dampradio, Fluxus III (interview), 1984
  • New Wilderness Audiographics #8542A, Gamelan Son Of Lion, 1985
  • recorthings 7 / Exit & Exempla, Philip Corner & Carles Santos, piano duets, 1987
  • Les Editions Intervention, Immedia Concerto (festival #4)(with others), 1988
  • Kulturbehörde Hamburg, Der Gute Ton Zum Schönen Bild (with others), 1989
  • Tellus #24, Flux Tellus (with others), 1990
  • Musicworks 50 (as performer), 1991
  • ¿What Next? /Nonsequitur, Malcolm Goldstein: Sounding the New Violin (with others), 1991
  • The Aerial#5 /Nonsequitur (ed:Steve Peters) (with others), 1992
  • Frog Peak Music, Delicate Computations (A & B), 1992
  • DEA, Amsterdam (with others), 1994
  • Edition Hundertmark, WBAI: ser’e-al muzik  &  Fountain 157 Heft (with graphic), 1998
  • The Tapeworm, Piano Work’d, 2012
  • Imminent Frequencies, Concerto for Housekeeper and other dances with Phoebe, double cassette, 2013                                                 
  • Sacred Tapes, Through more than the Mysterious Barricade, 2015
  • Imminent Frequencies, Piano Realities: “re-cord” & “River Song”, 2016
  • Sacred Tapes, Gong/Oreille-les oiseaux du matin &  en voiture dans Paris, 2016
  • More Mars, Piano Activitys Workplays, 2018
  • Faux Amis, Trombilation (with others), contains Otherbone, 2018     

Philip Corner - VIDEO 

  • Danaë, L’Espace Le Temps, 1986
  • Pari e Dispari (ed:Rosanna Chiessi), Picnic a Capri (“Sonata Bianca”), 1988
  • Immedia Concerto, festival Inter - compilation & piano solo, 1988
  • Kunstverein Kassel (ed:Maurizio Nannucci), Not All At Once, 1993
  • Montagne Froide, Fragment(s) (Valentine Verhaeghe), 1993
  • Cinnamon Film & Danish Natl. Filmboard, The Misfits-30 Years of Fluxus, 1993
  • Arte Sella, Arte Sella, 1993
  • Arte Sella, Arte Sella, 1994
  • Frog Peak Music, Phoebe dances with Philip (with Phoebe Neville), 1994
  • Dans Studio Pauline de Groot, Excerpts - work ’94, 1994
  • Hotel Aicha Video (ed:Berty Skuber), Gong Ear, 1992
  • Festa al Parco a Malga Miesnotta, La Bella e l’Unicorno (with Phoebe Neville),1995
  • Hotel Aicha Video, Sieben Farbräume (Berty Skuber), 1996/7
  • Marina Montanari, sto suonando---scrivendo---danzando perché, 199?
  • Harlekin Art & Hotel Aicha (Berty Skuber), Name and Place of Birth, 1992/8
  • Berty Skuber, Ear Body, 1999
  • Koldo Mitxelena Kulturunea, Hotsaren espazioa ; Begiradaren denbora, El espacio del sonido ; El tiempo de la mirada (ed:Jose Iges) (with catalog), 1999
  • Pari e Dispari (ed:Stafano Gualdi), Poetiche in Transito, 1999
  • Laura Shapiro, Confessions of a Luddite, 1999
  • Performance Festival Odense, 2nd international, 1999
  • Studioventicinque, Poetiche in Transito, appuntamento a Milano, 1999
  • Museo d’arte contemporanea di Villa Croce, Metal Meditations, 2002
  • Media Opera 2001(ed:Mieko Shiomi), Fluxus Trial, 2001
  • Performance Festival Odense, 3rd international, 2001
  • Museo d’arte contemporanea di Villa Croce, The Fluxus Constellation, 2002
  • Stichting Logos, Philip Corner & Phoebe Neville - Live at Logos, 2002
  • Archivio Caterina Gualco, Music Muse: Roberto Ciaccio (with Phoebe Neville), 2004
  • Archivio Caterina Gualco, Music Muse: Roberto Ciaccio (with Phoebe Neville), 2006
  • Castello di Formigine-Lo Spirito dell’Arte……collezione Carlo Catellani, 2007/8
  • R.Ciaccio, Music Muse: Roberto Ciaccio (with Phoebe Neville)-in litho cover, 2008
  • Museum Ostwall, Dortmund, Uber Kunst Sprechen (vol.3), 2012
  • Kyoto City University of Arts, Mieko Shiomi Fluxus Performance Workshop, 2015


  • Stan Brakhage, Passage Through....a ritual (distr: Film-Makers Co-op), 1990
  • Irena DiMaggio, Travelling (in)to Fluxus, 2014
  • Masha Godovannaya, Another place and yet the same, 2004
  • Masha Godovannaya, Objects In Mirror Are Closer Than They Appear, 2007
  • Dick Higgins, The Flaming City, 196?
  • Hartmut Jahn, Wenn Mann Es Versteht, Ist Es Zu Spät, 2012
  • Traudie Messini, Die Akribie des Alltags, 2013
  • Maria Perez, Malpartida Fluxus Village, 2015
  • Empara Rossellò, Bizzare, 2014
  • Elaine Summers, Peace Corps training film (destroyed), 196?


KNJIGE – samostalne | BOOKS –individual    

  • Concept Music, ANTS records, Roma, 2016
  • Ear Journeys: Water, Unpublished Editions, New York, 1977
  • Flux Futures (with Manifestos), Editions AquAvivA, Paris & Berlin, 2013
  • I Can Walk Through The World As Music (first walk), Printed Editions, Barrytown, 1980
  • In and About and Round-About in the 60’s-New York in center, Frog Peak Music, Hanover, 1995
  • The Identical Lunch, Nova Broadcast Press, Barton VT, 1973
  • LifeWork: a unity, Frog Peak Music,  Hanover NH,  1993
  • Popular Entertainments, Great Bear Pamphlets/Something Else Press,  New York, 1967; reprint: Primary Information, Facsimile Edition, Brooklyn NY, 2007
  • Realfantastick, Edizione Pari e Dispari, Cavriago(RE), 1978
  • Seven Sayings (Una Settimana di Detti), Edizione Pari e Dispari, Cavriago, 1979
  • Several Sexuelementos (Partiture d’Amore), Edizione Pari e Dispari,  Cavriago, 1980
  • Some Silences, Exempla, Firenze & Exit, Lugo, 1983 

KNJIGE – antologije | BOOKS – anthologies

  • The Adventures of Willem de Ridder, CultClub Edition, Amsterdam, 2017
  • Andante Animato, ed: Caterina Gualco, Edizioni Unimediamoderne, Genova, 2016
  • Ars Sonora, 25 anos, Una experiencia de arte sonor en radio, ed: Jose Iges, Fundacio Autor, coleccion exploraciones, Madrid, 2012
  • Benjamin Patterson - A Sneak Preview, ed:Petra Stegmann, DOWN WITH ART! Verlag, Potsdam, 2016
  • A Big Jewish Book, ed:Jerome Rothenberg, Anchor Press/Doubleday, 1978
  • Le Bout des Bordes, ed: Jean-Luc Parant (photos), Actes Sud/La Maison de l’Art Vivant, 2010
  • Charlotte Moorman, Cello Anthology, Alga marghen (with CDs), 2007
  • Cookpot, ed: Barbara Moore, Reflux Editions, New York, 1985
  • Fantastic Architecture (Vostell/Higgins), Something Else Press, New York, 1969; in German as Pop Architektur Concept Art, Droste, 1969, reprint: Primary Information, Brooklyn, NY, 2015
  • FLUXUS szalency na wolnosci czyli plynac z fluxusem-fluxus festival Poznan, Fundacjauap, Poznan, 2013
  • Fluxus in Italia, ed: Caterina Gualco, casa editrice “il Canneto”, Genova, 2012
  • The Four Suits, ed: Dick Higgins, Something Else Press, New York, 1965
  • Frog Peak Anthology, ed:Carter Scholz & Larry Wendt, Frog Peak Music, Hanover, 1992
  • The Great Bear Pamphlet Series (facsimile reprints), Primary Information, Brooklyn, NY, 2007
  • Henry David Thoreau: Studies and Commentaries, Farleigh Dickinson Press, New Jersey, 1972
  • Ives, Ruggles, Varèse, ed:Peter Garland, Soundings Press, 1974
  • The Lunatics Are On The Loose..., ed: Petra Stegmann, European Fluxus Festivals, Potsdam, 2013
  • Manifestos (a "Great Bear" pamphlet), Something Else Press, New York, 1966; reprinted: Primary Information, Facsimile Edition, Brooklyn NY, 2007
  • Mob Shop Dummy, Hong Kong Press, Göteborg, 1986
  • The Music of James Tenney, ed: Peter Garland, Soundings #10,  Santa Fe, 1984
  • Only Humans With Songs to Sing, Ikon/Smyra, NY, 196?
  • Poesia oscura con presa: Leggere Corrado Costa: Ivanna Rossi, Consulta/Segni e Parole, Reggio Emilia, 2013
  • The Poets' Encyclopedia, The Unmuzzled Ox, New York, 1979
  • Portfluxus, ed:Sarenco  (portfolio)
  • SchNeBel 60, ed/Grünzweig, Schröder, Supper, Wolke--HdK Berlin, Hofheim, 1990
  • Schrift, Zeichen, Geste, ed: Carlfriedrich Claus, Kunstsammlungen Chemnitz, Wienand, 2005
  • Site of Sound: of Architecture and the Ear, ed:LaBelle & Roden, Errant Bodies Press, Los Angeles, 1999
  • Le Son des Ténèbres, Roberto Ciaccio, all’Istituto Nazionale per la Grafica, 2008
  • Technicians of the Sacred, ed: Jerome Rothenberg,  Doubleday & Anchor Books, 1968; reprint: 2016
  • Text-Sound Texts, ed: Richard Kostelanetz, William Morrow & Co, New York, 1980
  • Word Events, Perspectives on Verbal Notation, ed: Lely & Saunders, Continuum, New York & London, 2012
  • 0 To 9: the complete magazine 1967-1968, ed: Vito Acconci & Bernadette Mayer, Ugly Duckling Press-Lost Literature Series, Brooklyn N.Y., 2006


  • alfaCage (alfabeta2) - supplement to #24, ed: Daniele Lombardi, Milano, 2012
  • ApARTe, Venice, 2019
  • Art Accrediting #49 (photos), Taipei, 2013
  • Art & Artists, London, 1972
  • Assembling, ed:Richard Kostelanetz; "a critical (ninth)...", New York, 1979 & #12, 1986
  • *asterisk #1/1 &2, & 3/1, ed: R.Layne Rhoton, Ann Arbor, 1974-5
  • Ausgabe #2, ed: Armin Hundertmark, Berlin, 1976
  • The Aylesford Review #7/3, Maidstone, Kent, 1965
  • Big Deal 3 & 4, ed: Barbara Barracks, New York, 1975 & 1976
  • Bull shit, ed: Gino di Maggio & Ben Vautier, Milano, 1993
  • Caterpillar #2 , 5, 10, ed: Clayton Eshelman, New York, 1968 & 70
  • Center #3, 6, 10, ed: Carol Bergé, Woodstock, 1973-75-77
  • Civico 103 – Speciale Nam June Paik, Modena, 2013
  • Contemporary Music Review, vol.26/3,4 : “Earle Brown: From Motets To Mathematics”, Abingdon (Oxfordshire) UK, 2007
  • Curtains, ed: Paul Buck, Hebden Bridge, W.Yorkshire, "le prochain step", 1976; "bal:le:d", 1978
  • Ear, ed: Beth Anderson, #22, Oakland. 1974(?)&  7/3, San Francisco, 1979
  • Ear, ed: Beth Anderson. 1/1, 2, 3, 5, 6;   2/3, 8-9;  3/6;  4/8-9;  5/2, New York. 1975-8 &  8/4;  1983; 11/4, 1986
  • Extensions, ed: Joachim Neugroschel, New York.
  • Hanging Loose - No.10  New York.
  • Leonardo #20/4, ed: Larry Polansky, Berkeley, 1987
  • Luvah & Les Presses du Réel hors-série #29, Besançon/Dijon, 2004
  • Mobile album/international.  01/in between, Besançon/Dijon, 2008
  • Music Educators Journal #57/3, Washington D.C., 1970
  • Musik Psychologie, Band, ed:Helga de la Motte-Haber, Wilhelmshaven, 1985
  • MusikTexte #46/47; 97,99,104,145, ed: Gisela Gronemeyer & Reinhard Oelschlägel, Koln, 1992; 2003; 2005; 2015
  • National Guardian, The Essays of Charles Ives (review), New York, Apr 25, 1963
  • New Music News #1/2, ed: William Hellermann, New York, 1979
  • New Wilderness Letter # 5/6 & 8, ed: Jerome Rothenberg, New York, 1978;1980
  • Open Space 12/13 ; 17/18 ; 21, Red Hook, NY,  2011; 2014; 2018
  • Painted Bride Quarterly Vol.3/no.2, Philadelphia, 1976
  • Perspectives of New Music #25/1 & 2, ed: Larry Polansky, Seattle, 1987
  • Portfluxus, ed: Sarenco, factotumbook 28, Verona, 1981
  • Revista de Letras #11, Universidad de Puerto Rico en Mayagüez, 1971
  • Some/Thing #3 & 4-5, ed: Jerome Rothenberg & David Antin, New York & La Jolla, 1966;1968
  • SOURCE music of the avant garde, issue #6, Sacramento, 1969; reprint:  SOURCE  1966-1973                                      University of California Press, Berkeley, 2011
  • Temporale. #46-7, ed: Gabriele Bonomo, Lugano, 1998
  • Triedere (with Gunnar Schmidt), Triedere, Austria, 2014
  • White Walls #16 (special issue):”Fluxus”,  ed: Ken Friedman, Spring 1987
  • The Wire, London, UK, 2015
  • Zeitschrift für Experimentelle Musik, heft 3, ed: Stefan Wunderlich, München, 1985 0 to 9 #4, 5, 6. ed: Vito Acconci & Bernadette Mayer, New York, 1968-9; reprint: Ugly Duckling Presse, Lost Literature Series, Brooklyn NY, 2006
  • Zweitschrift #4/5, ed:Uta Erlhoff-Brandes & Michael Erlhoff, Hannover, 1979

DOPRINOS – radovi drugih | CONTRIBUTIONS - to others’ work

  • Spatial Poem by Mieko Shiomo
  • Fluxus Balance by Mieko Shiomi

PHILIP CORNER – BIBLIOGRAFIJA: pisano o njemu BIBLIOGRAPHY:  written about


  • Bengt af Klintberg, Svensk Fluxus, Rönnells Antikvariat, 2006
  • Sally Banes, Democracy’s Body-Judson Dance Theater, 1962-64, U.M.I Research Press,  Ann Arbor,  1983
  • Sally Banes, Greenwich Village 1963, Duke University Press, Durham, 1993
  • Sally Banes, Writing Dancing in the Age of Postmodernism, Wesleyan University Press, Hanover NH, 1994
  • Sally Banes, Subversive Expectations, University of Michigan Press, Ann Arbor, 1998
  • Llorenç Barber & Montserrat Palacios, La Mosca Tras la Oreja, SGAE, Spain, 2009
  • Barbara Benary, Messing with Java, unpublished
  • Benjamin Patterson, Born in the State of Fluxus, Val.Cas.Oliver; Ben Patterson, Houston, Texas, 2012
  • Benjamin Patterson, Living Fluxus, Nassauischer Kunstverein, Wiesbaden, 2012
  • Peter Besas, Memoires of a Nobody, Ars Mileni, Madrid, 2001
  • Ilaria Bignotti, Luce-Arte-Industria, una storia ancora da raccontare in  LEADERS Impresa Capitale Umano e Innovazione, Edvin Editrice, 2008
  • Jean Boivin, La Classe de Messiaen, Christian Bourgois Editeur, 1995
  • Paul-Emile Borduas – letters wih footnote commentary Paul-Emile Borduas, Ecrits II, Les Presses de l’Université de Montréal, 1997
  • Simona Borrillo, Yoko Ono: istruzioni per l’uso, Tesi di laurea, Università de Bologna, 2011
  • Mara Borzone, L’Opera Assente, Littératures 3/Circolo Culturale, IL GABBIANO, la Spezia, 2016
  • Marilyn Brakhage, On Stan Brakhage and Visual Music, Experimental Film: The Missing Frame (Meade), Avila University Press
  • John Cage, The Future of Music in "Empty Words", Wesleyan University Press, Middletown, Conn, 1979
  • John Cage, in Conversing with Cage, ed: Kostelanetz, Limelight Editions, NY, 1991
  • John Cage, The Selected Letters of John Cage, Wesleyan University Press, Middletown, Conn, 2016
  • Elena Carey, Philip Corner, Composer a brief description... with specific reference to one piece... from the Gamelan Series, unpublished paper (Rutgers U.), 1980
  • Gian-Marco, CasiniPosso passeggiando ascoltare il mondo come musica, Livorno, 2018
  • Colby Chamberlain, Play What You Like: Fluxus, Music & More, Howl! A/P/E, 2016
  • Pauline Chevalier, Dance is Hard to Seein Spacescapes, Dance & Drawing  Documenys/JRP, 2017
  • Rosanna Chiessi, In Bicicletta sul Mare, Adriano Parise, Colognola ai Colli-Verona, 1989
  • Rosanna Chiessi, interview in Fluxus, A Creative Revolution, Skira, 2012
  • Cosimo Cimino, Un bel gioco dura tanto, liceo artistico statale, La Spezia, 2012
  • Vittoria Coen, PRESENZE, artisti stranieri oggi in Italia, Arnaud, Provincia di Perugia, 1995
  • Michel Collet, Concerto di polvere. Dust concert. Concert de Poussières, privately printed, 1999
  • David Cope, New Directions in Music, William C;Brown, Dubuque, 1984; 1989
  • Austin Clarkson, The Varèse Effect: New York City in the 1950s and 60s in Edgard Varèse : Composer, Sound Sculptor, Visionary, Paul Sacher Foundation, Basel, 2006
  • Anna Daneri, Back to the Future, Artissima, Fondazione Torino Musei, 2017
  • Laurent Denave, Un siècle de création musicale aux Etats. Unis, Editions Contrechamps, Genève, 2012
  • “Die Irren sind los...” FLUXUS-EREIGNISSE IN EUROPA 1962-1977  (“The lunatics are on the loose...” EUROPEAN FLUXUS FESTIVALS 1962-1977), ed: Petra Stegmann, Potsdam, 2013
  • Alexander Klar; Stephan Fricke; George Maciunas, Fluxus at 50, Museum Wiesbaden/Kerber, 2012
  • Fluxus Dixit- une anthologie Vol.1, Les Presses du Réel,  Dijon, 2002
  • Andrew Franck, )Inspired OUT(, Archetextural, 2018
  • Stefan Fricke, notes for Piano Activities (Eng.&German;) in Fluxus at 50, Museum Wiesbaden/Kerber Art, 2012
  • Ken Friedman, Fluxus Collection, ed: Caroline Ugelstad, Henie Onstad Kunstsenter, Høvikodden, 2010
  • James Fulkerson, "In 1959...." liner notes to Extreme Positions CD, New World Records, 2007
  • Alessandro Gazzotto, Archivio Storico Pari e Dispari, Biblioteca Panizzi, Reggio Emilia, 2017
  • Micael Glasmeier, "Play your Score",KP Brehmer’s Music in KP Brehmer, Art=/=Propaganda, Buchhandlung Walter König, Köln, 2019
  • Adrian Glew, Amore Vacui in  "Voids. A retrospective", Editions du Centre Pompidou, Paris, 2009
  • Malcolm Goldstein, interview: Dancing and Talking Mariko Tanabe, Currents - Journal of the Body-Mind Centering Association, Vol 7,#1, Marlboro VT, 2014
  • Dan Goode, "Phil’s success...."  liner notes to Extreme Positions CD, New World Records, 2007
  • Jennie Gottschalk, Experimental Music Since 1970, Bloomsbury Academic New York/London, 2016
  • Alain Goulesque, "I Can Walk Through The World As Music", La Fondation du Doute, Blois, 2017
  • Caterina Gualco, "I Can Walk Through The World As Music", La Fondation du Doute, Blois, 2017
  • Caterina Gualco, ed, Fluxus in Italia, Il Canneti Editore, 2012
  • Caterina Gualco, Italian Report in Play What You Like, Howl! A/P/E, 2016
  • Dick Higgins, Postface, The Something Else Press, New York, 1964
  • Dick Higgins, "Something Else" Newsletters:  Intending;  Intermedia;  Structural Researches, The Something Else Press,  New York,1966; reprint (in French)  in Fluxus Dixit, une anthologie vol.1., ed:Nicolas Feuillie, Les presses du réel, Dijon, 2002
  • Dick Higgins, Horizons - the Poetics and Theory of the Intermedia, Southern Illinois University Press,  Carbondale, 1984
  • Dick Higgins, Modernism Since Postmodernism, San Diego State University Press, 1997
  • Hannah Higgins, Fluxus Experience, University of California Press, Berkeley, 2002
  • Hannah Higgins, Women in Fluxus and other Experimental Tales, Skira/Palazzo Magnani, 2012
  • Tom Johnson, The Voice of New Music, Het Apollohuis, Eindhoven, 1989
  • Alexander Klar, The Birth of Fluxus, from the spirit of music in Fluxus at 50, Museum Wiesbaden/Kerber Art, 2012
  • Richard Kostelanetz, Environmental Abundance in John Cage, an anthology, reprint: The New York Times: Da Capo Press, New York; 1970
  • John Lely, Gameloony: commentary in "Word Events", Continuum, New York/London, 2012
  • George Maciunas, Fluxus and the Manifestos of George Maciunas, Kerber Art, Bielefeld, 2012
  • Henry Martin, Kindred Spirits in Fluxus 50 Men & Women, Kaohsiung Museum of Fine Arts, Taiwan, 2013
  • Christopher J. Miller, Cosmopolitan, Nativist, Eclectic: Cultural Dynamics in Indonesian Musik Kontemporer, Wesleyan Univ. (thesis), 2014
  • Meredith Monk, ed: Laura Shapiro, Meredith Monk, Johns Hopkins Univ. Press, Baltimore, 1997
  • Antonella Montenovesi, "Tous les Artistes de Sarenco" in Le Triptyche du Cinéma Mobile, ed: Henri Veyrier, Adriano Parise, Colognola ai Colli-Verona, 1988
  • Anne Noël, Noël. Berlin Verona Conz, Archivio F.Conz, Verona, 2009
  • Valerie Cassel Oliver, The Curious Case of Benjamin Patterson in Fluxus and the Manifestos of George Maciunas, Kerber Art, Bielefeld, 2012
  • Benjamin Patterson, Sneak Preview, Down With Art! Verlag, Potsdam, 2012
  • Benjamin Patterson, Born in the State of Fluxus in Fluxus and the Manifestos of George Maciunas, Kerber Art,Bielefeld, 2012
  • Benjamin Patterson, I’m Glad You Asked Me That  Question in Fluxus and the Manifestos of George Maciunas, Kerber Art,Bielefeld, 2012
  • David Patterson, Cage and Mao, ed: J.H.Schröder & V.Straebel, Wolke, Hofheim an Taunus, 2012
  • Glenn Phillips, ARTISTS and their books  BOOKS and their artists, Getty Research Institute,  Los Angeles, 2018
  • Benjamin Piekut, On and off the grid: Music for and around Judson Dance Theater in Judson Dance Theater – The Work is Never Done, MoMA, New York, 2018
  • Ivanna Rossi, Il richiamo della draga,, Reggio Emilia, 2010
  • Ivanna Rossi, poesia oscura con presa: Leggere Corrado Costa, Consulta/Segni&Parole;, Reggio Emilia,  2013
  • Ivanna Rossi, Gli Concerti di Philip Corner, Palazzo Magnani, Reggio Emilia, 2017
  • Ivanna Rossi, Rosanna Chiessi, Pari e Dispari, Danilo Montanari Editor, Bologna, 2018
  • Joan Rothfuss, Topless Cellist, MIT Press, Cambridge, 2014
  • Harry Ruhè, 25 Fluxus Stories, Tuja Books, Amsterdam/Archivio F.Conz,Verona, 1999
  • Harry Ruhè, Resting but still kicking in Fluxus 50 Men & Women in Fluxus, Kaohsiung Museum of Fine Arts, Taiwan, 2013
  • Lucilla Saccà, Neoavanguardia Arte de Collezionare, la Raccolta di Carlo Palli a Prato, Edizione Polistampa, Firenze, 2013
  • Carlo Sala, Women in Fluxus and other Experimental Tales, Skira/Palazzo Magnani, 2012
  • Gunnar Schmidt, Klavierzerstörung in Kunst und Popkultur, Reimer, Berlin, 2012
  • Gunnar Schmidt, Bagarre in Sportification, Viaindustruae, Foligno, 2017
  • Beverly Schmidt in Democracy’s Body (Banes), UMI Research Press, Ann Arbor, 1983
  • Carolee Schneemann, ed:Kristine Stiles, Correspondence Course, an epistolary history, Duke University Press, Durham & London, 2010
  • Carolee Schneemann, Imaging Her Erotics, MIT Press, Cambridge, MA, 2002
  • Carolee Schneemann, More Than Meat Joy, Documentext-McPherson, New Paltz, 1979
  • Katarina Schröder, Der Zusammenhang zwischen Bildender Kunst und Musik der Gegenwart, Diplomarbeit,  Hochschüle für Musik und Theater, Leipzig, 2010
  • Petra Stegmann, The Lunatics are on the loose... European Fluxus Festivals 1962-1977, Petra Stegmann, Berlin, 2012
  • Kristine Stiles, Tuna and Other Fishy Thoughts in Indigo Island, Stadtgalerie Saarbrücken, 1994
  • Ben Vautier, Fluxus continue et ne s’arreterà jamais, ed: Favre, Lausanne, 2014
  • Kurt Wettengel, A-Z. ein Fluxus Zettelkasten/an A to Z of Fluxus, Museum Ostwall im Dortmunder U, 2014
  • Peter Yates, Twentieth-Century Music: Its Evolution From the End of the Harmonic Era to the Present Era of Sound, Pantheon Books & Minerva Press, 1967; 1968
  • Elena Zanichelli, Women in Fluxus and other Experimental Tales, Skira/Palazzo Magnani, 2012
  • Spela Zidar, Introduction FLUXUS Carlo Palli Collection in Fluxus 50 Men & Women in Fluxus, Kaohsiung Museum of Fine Arts, Taiwan


  • Art News 84/7, The Zetetics of Zealous Zambians (Henry Martin), New York, 1985
  • Aylesford Review  7/3, Oracle (Carol Berge), Maidstone, Kent, 1965
  • The Boston Phoenix, The Changing of the Avant Garde (Tom Johnson), May 31, 1977; Colloquy, Hunger Day (Robert Miller), United Church Press, Lancaster, PA, 1969
  • Creativa, Interview with Francesco Conz (Caterina Gualco), Milano, May-Jun 1986
  • CRR de Poitier, Prima la Musica, Ensemble Hodos plays Philip Corner "Lifework : A UNITY" (C.Mauco), Poitiers, Feb 19, 2015
  • Eureka (Japan), Satie Slowly (Toshie Kakinuma) in Japanese, November 20, 2015
  • Experimenta 99: Ultimo Capitulo, Fluxus (Daniel Varela), Universidad de Buenos Aires
  • Il Secolo XIX, Corner: "La Mia Musica? Uns Proposta Aperta a Tutti" (Anna Orlando), Genova. May 5, 2014
  • Inter #35, Eggs on Gorgonzola (or footnotes to Espèces Nomades) (Marianne Bech), Québec, Spring 1987; +/o (revue d’art contemporain) #48, Bruxelles. Oct 1987; Der Gute Ton zum Schönen Bild, HBK Hamburg, 1989
  • Howl! Happening I/XII, Italian Report (Catherina Gualco), New York. 2016
  • Kanal #25-6, Interview with Francesco Conz (Henri Chopin), Paris, Oct-Nov 1986
  • Libération, Les Musiciens du Métal, Paris, Jun16, 1978
  • mobile:album/international.01/in between (Phoebe Neville), Besançon/Dijon, 2011
  • MusikTexte #99, ed: Gisela Gronemeyer & Reinhard Oelschlägel. Köln, 2003
  • NewObservations 129, Out of the Box/The Way of Art on the Loose (fluxus photos), 2013
  • Numus West, The Future of Music (John Cage cf. also BOOKS),Ann Arbor, 1974
  • Open Space  (Joanna Pocock) #21, Red Hook, NY, 2018
  • Prima Pagina (Cristina Bertolini), Reggio Emilia, 2015
  • La Repubblica, Il Piano Corner (Stefano Bigazzi), Genova, May 28, 2014
  • Resonance 7/1 (Anton Lukoszevieze), London, 1998
  • Triedere (Gunnar Schmidt), Austria, 2014
  • Vikan, Jarnasinfonia Undir Jökli (Sigur∂ur Hrei∂ar Hre∂arsson), Reykjavik, Aug 20,1981
  • The Wire #244, A Happening Kind Of Guy (Marcus Boon), London, Jun 2004
  • WIRE 322, Cross Platform (Charlie Morrow), London, Dec 2010
  • YehSoolGwa BiPyung #9, Pooruk Suhsu (Fluxus) (Hong Hee Kim), Seoul, 1986
  • Zeitschrift für Musikpedagogik, heft 23 (Helga de la Motte-Haber), Regensburg, 1983 


  • ASCAP Biographical Dictionary, Cattell & Bowker, New York & London,1980
  • 50 anni FLUXUS. 1962-2012, photos: Fabrizio Garghetti, Mudima, Milano, 2012
  • Contemporary Authors, ed:C.Nasso, Gale Research Co, Detroit, 1967
  • Contemporary American Composers: a Biographcal Dictionary, ed:E.R.Anderson, G.K.Hall, Boston,1976
  • Die Musik in Geschichte und Gegenwart, Volker Straebel, 2000
  • Fluxus, etc. The Silverman Collection - Fluxus Performance, ed:Jon Hendricks, Cranbrook Academy of Art Museum, Bloomfield Hills MI, 1981 +  addenda 1. 1983 Fluxus, the most radical and experimental art movement of the 60s, ed:Harry Ruhé
  • ‘A’ Space, Amsterdam, 1979
  • Happenings and Fluxus, ed:Hans Sohm, Kölnischer Kunstverein,1970
  • Homo Sonorus, an International Anthology of Sound Poetry, ed:Dmitri Bulatov, NCCA, Kaliningrad Branch, 2001
  • International Who’s Who in Music, ed: A.Gaster
  • Komponisten der Gegenwart (Katrin Beck), Berlin, 2011
  • The Living Composers Project, ed: Dan Albertson, internet archive
  • Marxism and Aesthetics, ed:Lee Baxandall, Humanities Press, New York, 1968
  • Musik Gamelan di Amerika, Dieter Mack  (only in Indonesian), Jakarta,1995
  • MusikTexte #99, ed: Gisela Gronemeyer & Reinhard Oelschlägel, Koln, 2003
  • The New Grove’s Dictionary of Music and Musicians (David W. Bernstein)
  • The New Grove’s Dictionary of American Music and Musicians (Margaret Leng Tan
  • Oltre lo Spettacolo, R.Chiessi.
  • A. Parise, Colognola ai Colli,1989
  • Répertoire/International Electronic Music Catalog, ed: Hugh Davies, Musicales de l’O.R.T.F., Paris & The Independent Electronic Music Center, Trumansburg, NY (distr M.I.T. Press, Cambridge, MA),1968
  • Something Else Press (Peter Frank), Documentext--McPherson, New Paltz, 1983
  • Who’s Who in American Music: Classical (Bowker & Cattell), Tempe AZ,1983